Visual Arts
UPLANDS revolutionises how we engage with Aboriginal Art Centres
UPLANDS is a new digital portal that allows you to visit Aboriginal art centres, virtually, and sit and listen to…
Wintjiri Wiṟu tells ancient stories in the sky
The world’s largest daily drone show offers deep spiritual connection in the heart of Australia – Uluṟu.
Cultural collaboration between remote Kimberley art centres
Through collaboration and shared resources, remote Kimberley art centres strengthen cultural practice and promote a unique identity.
Tarnanthi 2023 weaves personal stories with skyward visions
From the miniature to the epic, this year’s Tarnanthi group show is united in its capacity to takes us to…
Exhibition review: Vincent Namatjira: Australia in Colour, Art Gallery of South Australia
Namatjira's paintings examine the politics of history, power and leadership from a contemporary Aboriginal perspective.
Breasts in art: a tender celebration
Revered, adored, feared – breasts are rarely just another body part in art. For Breast Cancer Awareness Month we take…
New look at photography
Bringing together works from the NGV collection over nearly 140 years, ‘Photography: Real and Imagined’ considers the depth and breadth…
Bizarre art heist in regional WA the focus of new documentary series
In the mid-1980s, 26 European masterpieces were slashed out of their frames at a WA bush monastery. Now a new…
Exhibition review: Design Fringe 2023, Linden New Art
Where would design take us if it no longer has the answers?
Exhibition review: Djilba/Kambarang season, PICA
Three concurrent exhibitions from Wu Tsang, Sriwhana Spong and Sancintya Mohini Simpson at Perth Institute of Contemporary Art (PICA).