Search News

See all news
Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
Features

To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
StarsStarsStarsStarsStars

Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
StarsStarsStarsStarsStars

Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

Photo: Yeshi Kangrang on Unsplash. A glass jar filled with fairy lights half burried into the sand at the beach against a setting sun.
News

Prizes and competitions to enter in 2024

A go-to list of prizes and competitions across the visual arts, performing arts and writing and publishing in the first…

museum blockbusters 2024. Installation view of coffi of Ramses the Great from Ramses and the Gold of the Pharaoh exhibition at Australian Museum, Sydney.
Features

Must-see museum blockbusters in 2024

As Australians continue their love affair with all things ancient Egyptian, some of our museums are also embracing VR to…

Yuan Shun, ‘Soft Landing’, 2018, on view as part of ‘A Blueprint for Ruins’ at White Rabbit Gallery. Image: Supplied. A model of a brown dusty landscape that feels otherworldly, made with wood, sand, lights, fog machine, stones and aluminium.
Features

A collection’s blueprint for ruins

ArtsHub previews White Rabbit’s latest exhibition, ‘A Blueprint for Ruins’, on the race of renewal and destruction within China’s urban…

Vale. rear view of stone statue of an angel with wings
Features

Vale 2023: saluting those we lost this year

ArtsHub salutes the lives and careers of the artists, performers and patrons who took their final curtain call in 2023.

projected imagery around a venue recreating a circus like environment.
StarsStarsStarsStarsStars

Immersive performance review: Dream Circus, Luna Park

Luna Park's immersive experience is a great idea, but a $15 million dud for Sydney.

Colonial. Photo: Jill Burrow via Pexels. Green ink dropped into a clear glass of water.
Opinions & Analysis

On nature painting and colonial narratives

The opportunities for cross-cultural responses to Country are still awkward spaces for artists and galleries to venture into.

Cover of Erin Visagie's honours project featuring works by (left to right, top to bottom) Ishani Buff, Suleiman Thomas, Jamela Boutique, Carlin Stephenson, ANNANASA and Mastani. Image: Supplied.
Opinions & Analysis

Cultural diversity in Australia's fashion industry: a call for true representation

How far does Australia have to go to do justice to CALD representation in fashion?

1 59 60 61 62 63 1,317