Visual Arts
Is Carriageworks cutting its visual arts programming?
After a prolonged financial struggle, Carriageworks is again looking at staff redundancies and reduced programming. But CEO Fergus Linehan assures…
Potential Griffith University Art Museum closure
The future of Griffith University Art Museum is uncertain as pressures for faculty expansion have led to a rethink of…
Towards continuum: behind the hardware of digital art
Understanding the self and the future in digital art through artists from the Asian Australian diaspora in collaboration with Sugar…
Melbourne gallery has artists seeing red
Artists speak up after frustrating dealings with long-standing RED Gallery.
Honouring painting through increased prize money and local engagement
The Bayside Painting Prize is an annual celebration of the unique medium, this year with a $25,000 Major Prize and…
Powerhouse Ultimo announces three-year closure
Powerhouse has released the concept designs for its Ultimo site, a key factor of which is reorienting the museum to…
Exhibition review: NGV Triennial 2023
From robotics to textiles to sensational immersive video, the NGV Triennial offers a picture of making now, and an eye…
Exit interview: Sue Roff, Art Projects Australia
Sue Roff shares with ArtsHub her learnings after 14 years on the job and her insights into the broader arts…
Book review: The Female Gaze in Art and Photography by Anita Selzer
Anita Selzer’s profile of 20 contemporary artists is an invaluable resource for anyone seeking to expand their understanding of art…
Repositioning Emily Kam Kngwarray, and why now
A rethinking of the work of Emily Kam Kngwarray reminds us that Country and Community come first.