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Alison McKay, Untitled, 2017, Sand and nails on wooden stand. Image: Supplied. An artwork consisting of a tiny precarious plinth with nails hammered into the top, and loose damp sand surrounding the nails.
Features

Why is the art world still married to meritocracy?

Part lottery, part systematic exclusion: three artists speak about the limitations of the meritocratic approach, and imagine how the art…

Immersive exhibition ‘130BPM: Soundtrack to a Revolution’ curated by Bertie Blackman to open at Qtopia Sydney in its new home. Image: 1985 Sydney Gay Mardi Gras, cropped with colour enhancement. Photo: William Yang. Large puppet-like pieces with vibrant colours dance in the dark with people holding them up from the bottom.
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New galleries and theatres to visit in 2024

From a power station's $100 million facelift to a museum for queer history, here are the top new cultural destinations…

‘John Nixon—Four Decades, Five Hundred Prints’ installation view at Geelong Gallery. Photo: ArtsHub. Exhibition space with white wall and timber floor, filled with prints and works on paper displayed on wooden tables.
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Exhibition review: John Nixon – Four Decades, Five Hundred Prints, Geelong Gallery

An expansive collection of prints by John Nixon reveals his philosophy about blurring the boundaries between art and life.

Curators gathering at The Alternative Archive regional exhibition. Image: Courtesy of The Alternative Archive.
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Regional connections – a case for a Regional Arts Triennial

A West Australian project connecting regional arts and curatorial practice has seeded an ambitious statewide arts sector event.

Photo: Supplied. On the left is a black and white photo of Rodney James, a middle-aged man with light skin and light curly hair, wearing black rimmed glasses and a suite. He is shown from the shoulders up. The right is a cover of the book with a light brown background, a illustration of a man wearing a suit and the words ‘Alan McCulloch’s World of Art | LETTERS TO A CRITIC | Rodney James’.
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Book review: Letters to a Critic: Alan McCulloch’s World of Art, Rodney James

An invitation to know the artist, cartoonist and critic, Alan McCulloch, more intimately than through his writing alone.

Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
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To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

LISA GORMAN + MIRKA MORA, installation view at Warrnambool Art Gallery. Photo: Supplied. An exhibition space partitioned with orange, dark turquoise and pink sheer curtains. In front of the curtains hang embroideries by Mirka Mora and clothing by Gorman x Mirka.
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Exhibition review: LISA GORMAN + MIRKA MORA: To breathe with the rhythm of the heart, Warrnambool Art Gallery

A lyrical and symbiotic pairing of fashion design, sculptural installations, painting, embroideries and more by two Australian icons.

‘John Meade: It’s Personal!’ installation view at McClelland Gallery. Photo: ArtsHub.
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Exhibition review: John Meade: It’s Personal!, McClelland Gallery

Humble in scale, but deliciously rich, John Meade’s solo exhibition plays on form and entices intimate viewing.

Photo: Yeshi Kangrang on Unsplash. A glass jar filled with fairy lights half burried into the sand at the beach against a setting sun.
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Prizes and competitions to enter in 2024

A go-to list of prizes and competitions across the visual arts, performing arts and writing and publishing in the first…

museum blockbusters 2024. Installation view of coffi of Ramses the Great from Ramses and the Gold of the Pharaoh exhibition at Australian Museum, Sydney.
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Must-see museum blockbusters in 2024

As Australians continue their love affair with all things ancient Egyptian, some of our museums are also embracing VR to…

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