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L-R: Project Alchemy artist Sue Norman and Colleen Weir, collaborators on 'Nye River of Life'. Norman has short grey hair and she is holding up the cover of her book, featuring rows of different colours. Weir is speaking and gesturing towards the book. They are booth sitting down behind a table covered with black cloth.
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Making space for collective healing through the regions

Rebus Theatre brought together 15 artists to embark on collective journeys to help heal bushfire-devastated communities.

Quilt work from the exhibition 'Quilts: The Fabric of War 1760-1900' at The David Roche Collection. Photo: Supplied. A harlequin quilt pattern with red, pink, yellow, blue green, white, purple and black diamond patches. It features various emblems, the US flag, the union jack and the words 'IN GOD WE TRUST'
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Quilts by men: fabrics of war

Significant and rarely seen quilts from 1760-1900 will be on display in Adelaide, offering insight to their makers' lives and…

Add-on. Gallery space with blue walls and carpet and colourful abstract artworks. Desmond Lazaro.
Features

Role of the add-on exhibition

Within today’s museum environment some exhibitions are not entirely ‘PC’ (politically correct). We look at the role of the ‘add-on’…

An Asian woman in her late 40s covered in dry flowers and gold glitter. She is holding an orchid branch with pink blossoms and smiling. The background appears to be an artwork with pink, white and gold abstract strokes.
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Opportunities and awards

Workshops for creatives and LGBTQIA+ communities, comedy festival grant recipients, finalists of the Glover Prize and more!

Sturt. Black and white image of several woman and a male teacher learning woodworking techniques.
News

Australia’s oldest craft gallery and studios facing closure

Sturt Gallery and Studios has closed doors as it undergoes a review for its future viability.

Installation view ‘Ash Keating: PRESSURE’ at Bunjil Place. Photo: Michael Pham. A vast gallery space with polished timber floor and two white columns running through it. There are six large canvases with splashes of coloured paint, ranging from yellow, orange, red to green, blue and purple.
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Exhibition review: Ash Keating: PRESSURE, Bunjil Place

Pressure manifesting into canvases that capture fluidity and colour.

Sponsored

Get ready for the next decade of arts and culture in WA

WA’s 10-Year Vision planned to be unveiled in 2024, while new $80,000 grant opportunities and a major build are leading…

So you want my arts job. Museum Shipkeeper.
Q&A

So you want my arts job: Museum Shipkeeper

The gallery and museum sector is home to some of the most specialised jobs. ArtsHub takes a look at one…

First Nations garments. Image is a row of scarves hanging down and depicting kitsch images of Aboriginal people and culture.
Features

How First Nations artists are reclaiming colonial objects and celebrating culture through garments

While 'Aboriginalia' and 'Koori Kitsch' are popular terms, 'First Nations garmenting' is an emerging trend adopted by many artists whose…

mentor. Two women stand side by side in an artist's studio. They are looking at the camera and smiling, wearing black tops with orange/red aprons over the top.
Career Advice

Me and my mentor: Oakey and Catherine Truman

Paired as part of the groundbreaking Guildhouse Catapult mentorship program, these two South Australian visual artists talk about their process.

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