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Craft Lab returns to Ballarat Mining Exchange as part of Ballarat Heritage Festival. Photo: Supplied. Three woman gathering near a timbre table displaying round crafts vases. They are in a bustling indoor environment.
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UNESCO City of Crafts puts craftsmanship on the dinner table

Ballarat Heritage Festival presents Craft Lab and The Great Takeaway, where local makers will have their pieces spotlighted and taken…

Woman in blue suit outside Museum of Contemporary Art Australia. To the right of her is a huge patterned arrow on the wall pointing down to the ground.
Features

When you need to change to get it right

The MCA has worked with its challenges – and in sync with museum trends globally – to rethink its future.…

Deep Soulful Sweats at Next Wave’s All School Lab 2024. Photo: Supplied. Wearing wearing t-shirts of different colours gathering in an area and throwing their arms in the air to the beat.
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Next Wave celebrates 40 years with All School Lab

Next Wave traces its history with artists who have grown throughout its programs and festivals.

We Were Lost in Our Own Country. Image is a headshot of an elderly Aboriginal man with a white beard and moustache, wearing a white cowboy style hat.
Features

Gifting awareness: We Were Lost in Our Country

The Nevada Museum of Art (NMA), in Reno, Nevada is an exceptionally good public art museum with an ambitious program.

Man and woman sitting on floor looking at computer
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This week's arts news and trending topics

We break it – you read it. This week's top arts news stories.

Wool clock from 1942 Uluru Collection by Dame Zandra Rhodes, donated to Powerhouse. Image: Supplied. A model with dramatic makeup lying in a forest seen from bird's eye view with a patterned wool clock covering her body.
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British designer Dame Zandra Rhodes donates Uluru Collection to Powerhouse

Garments inspired by Rhodes' 1970s trip to Australia will enter Powerhouse's collection.

Image is a conceptual artwork that is a frame of 64 rectangular shapes laid out in eight rows with a black bold framework around and between them. Characters.
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Exhibition review: Characters, Hayden's Gallery

Six contemporary women artists using conceptual art to explore change, process and the philosophy of art.

Mandy Martin, ‘Adelaide Railway Station 2 (detail)’, 1973, screenprint, ink on paper, Ann Newmarch Collection. Image: © the Estate of the artist. A vintage coloured photograph showing three woman in farmer wear walking in a field. Two others are leisurely seated at the back.
News

If you don’t fight … you lose

The latest exhibition at FUMA spotlights the overlooked contributions of Adelaide’s Progressive Art Movement and the history of student protests.

Image is a dark gallery with a shiny wooden floor and a white box seat. On the walls are two 3D pieces, one a cupboard like work and the other comprising abstract faces.
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Exhibition review: Odalala, nireekshane and Uyirvu, Arts House

Australian and international artists examine histories of caste, migration, gender and sexuality.

Revealed. Image is of people in a gallery looking at Aboriginal paintings on the walls.
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New era for largest Aboriginal art exhibition with Aboriginal Arts Centre Hub WA at the helm

AACHWA is leading Revealed 2024, in partnership with Fremantle Arts Centre.

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