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The portrait, among two other works of Gina Rinehart, are reproduced in Vincent Namatjira's monograph. Image: Supplied, courtesy Thames & Hudson.
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Gina Rinehart pressures NGA to remove portrait by Vincent Namatjira – now the whole net is searching for it

The work was previously shown in 'Vincent Namatjira: Australia in colour' at AGSA, with the current exhibition set to run…

25th Biennale of Sydney Artistic Director, Hoor Al Qasimi. Photo: Dan Boud. A woman with light brown skin, gradient brown hair, wearing lipstick, a blue velvet blazer and smiling at the camera.
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Hoor Al Qasimi to helm 25th Biennale of Sydney

Arab curator and President of the International Biennial Association, Hoor Al Qasimi says the 25th Biennale of Sydney will have…

Installation view of ‘The same crowd never gathers twice’, Buxton Contemporary, the University of Melbourne, 2024. Featuring Cate Consandine, ‘RINGER’, 2024. Image: Courtesy of the artist and Sarah Scout Presents. Photo: Christian Capurro. Three channel video showing roller derby players in a blue and purple hue.
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Exhibition review: The same crowd never gathers twice, Buxton Contemporary

Five installations and video works with keen spatial awareness, but where is “the crowd”?

Tom Moore, 'Dandy Lion among The Antipodes', 2023. Photo: Grant Hancock. Funky glass figures that combines animal features with human limbs.
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Opportunities and awards

30 UNDER 30 mentorship, free fashion business program, plus winners of richest women's art prize and books of the year!

Intimate photography is on the rise. Image is a naked woman shot from behind and from the middle of her back down, sitting on the floor with her arms held out to her side and bathed in a warm sunny glow.
Features

Intimate photography: the new therapy?

Photographers are enjoying a rise in nude, boudoir and intimate photography. But the results are surprising everyone.

Suhanya Raffel, Museum Director, M+. Photo: Winnie Yeung @ Visual Voices. Image: Courtesy M+, Hong Kong. Raffel against a green tiled architectural background. She is a middle-aged woman with long black and grey hair, wearing red lipstick and smiling at the camera. She is dressed in a black blazer with a white flower brooch.
Features

Building a contemporary museum: learnings with Suhanya Raffel

From studying art history in Sydney to helming the Asia Pacific Triennial in Queensland and now leading Hong Kong’s M+,…

'JXSH MVIR: Forever I Live', installation view at Koorie Heritage Trust. Left to right: 'The Heart', 2016; 'Oxymoron', 2015; 'William Buckley - Maquette', 2016 (mixed media sculpture); 'Still Here', 2015; 'The Empire', 2015 (top); 'Ticket to Projection', 2015 (middle), 'Skip to my Lou', 2015 (bottom). Photo: ArtsHub. Digital illustrations of Melbourne landmarks with red, black and yellow background hang on the walls. In front of them is a small sculpture of a human figure on a bright yellow plinth.
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Exhibition review: JXSH MVIR: Forever I Live, Koorie Heritage Trust

When kinship is involved – it shows.

Linda Judge. Bayside Painting Prize. Image is a painting of a short grey-haired woman in a black round neck top holding up a loosely woven grey textile in front of her.
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All in the family: the winning painting touches on matters of mortality and motherhood

Linda Judge has won the 2024 Bayside Painting Prize.

Opinions & Analysis

Counting Gender: The Countess Report’s urgent call for action

The new report highlights the lack of progress made in terms of gender representation in the visual arts.

Founders of Here Space, Michelle Vine and Perrin Ellis. Photo: Claudia Baxter. Two people sitting on a sofa in the middle of a brightly lit studio space.
Features

Meanjin artists diversifying skills to create facilities independent of government funding

Cyber Bunker and Here Space are the most recent facilities initiated by entrepreneurial artists to build diverse communities in Meanjin/Brisbane.

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