Visual Arts
Building resilience into your arts practice
Sustaining work in the arts is always a challenge, but in times of adversity it can be even harder to…
Is your art a hobby or a business (from the archives)
Three ways to know whether you are really in the arts business or just kidding yourself about your hobby.
Review: Agatha Gothe-Snape – The Outcome is Certain, Monash University Museum of Art (VIC)
Through text, colour and technology, Gothe-Snape’s retrospective considers how the canon is written, rewritten and unwritten.
Exhibition Review: Between Worlds, Caboolture Hub Regional Gallery
Explorations of other worlds, imagined narratives, and cosmic genealogies, Apelt’s works are poignantly grounded in the concerns of now.
On the Move: Latest sector appointments & departures
Head of Sector Development role created and appointed at the Australia Council, City of Melbourne appoints Creative City Director, new…
How NIRIN contests history by placing art at the edge
Artistic Director Brook Andrew says, 'NIRIN is not a periphery, it is our centre'. We take a look at two…
Why Singapore is the new gateway for the Southeast Asian art scene
A community-focused approach to the arts in Singapore, coupled with unrest in Hong Kong, is shifting the focus of the…
Applause: Latest funding and awards announced
Craft Victoria honours graduating students, 2020 Tasmania Theatre Award Winners announced, Karen Wyld to publish new manuscript, plus latest awards…
WA Museum to re-open and redefine standards
With a budget of almost $400M, the transformed WA Museum not only looks light and open, but champions a new…
Review: Tina Havelock Stevens – Thunderhead, PICA/Perth Festival (WA)
Havelock Stevens is one of the more exciting contemporary artists working today, with an astute pulse on the collective psyche.