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Why virtual Open Days are more accessible than ever

Geographic distance and long travel times are no longer a challenge for prospective students seeking to learn more about courses…

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ICYMI: The week's top news in the arts

Faculty shuffle for UNSW Art & Design, new rooftop development for AGWA, date announced for disability forum, Melb Writers Festival…

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Aboriginal-led Parrtjima festival a leading light for festival sector recovery

In the wake of COVID-19 and global Black Lives Matter protests, Parrtjima 2020, with its theme 'Lifting Our Spirits', is…

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Applause: Latest funding and awards announced

Callout to Australian composers for heritage-listed residency program, shortlist for Elizabeth Jolley short story prize revealed, Copyright Cultural Fund announcement…

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Solid tips for podcasting during the time of Covid

With less options to participate in the arts in real life, many are turning to podcasts to express themselves. If…

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Data shows 1 in 4 audience members have returned to cultural events and venues

Data collected in the second phase of the Audience Outlook Monitor instills confidence, while also suggesting that full recovery of…

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Carriageworks secures independent future

Carriageworks saved, thanks to a 20-year lease agreement and guaranteed annual funding - two necessities it has battled since opening…

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NATSIAA in COVID times: What five finalists have made

On the event of the 37th NATSIAA, the benchmark for contemporary practice, we take a look at five finalists and…

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5 face masks to make public appearances fun

With face masks now the new normal, why not make your public appearance stylish and support a fellow artist at…

Features

Exit Interview: Esther Anatolitis, NAVA

After three years as Executive Director, Esther Anatolitis is moving on from the National Association of the Visual Arts (NAVA).…

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