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Features

Charting a region impacted by COVID, we look at the 10th Asia Pacific Triennial

QAGOMAs Head of Asian and Pacific Art reflects on a trajectory of change – and more recent COVID impacts –…

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Exhibition Review: Disney: The Magic of Animation, ACMI

The House of Mouse takes over ACMI so we sent cartoonist Andrew Weldon along to see how it captures the…

News

Opportunities and Awards: Miles Franklin longlist, NGV Architecture Commission

Calling for entries to the Melbourne Prize for Literature, be part of Sydney Craft Week, NGV’s 2021 Architecture Commission announced,…

Features

Life Through a Noongar Lens: photographs that re-tell history

Ahead of Reconciliation Week we look at an exhibition of rare photographs taken by one of Australia’s earliest First Nations…

Features

COVID one year on: Impacts on creatives of colour

Already marginalised, the pandemic has seen creatives of colour significantly impacted by increased racism and loss of incomes, writes Monique…

News

Are jewellery exhibitions art, and why the recent rise in them?

This month, seven exhibitions that celebrate art jewellery are presented concurrently across Australia. Are we witnessing a rise, and what…

News

Know my name – and don’t forget it

Australian organisations join global campaign to recognise women artists, starting with an all-day intervention by the National Gallery of Australia.

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Two new gallery spaces for Moreton Bay Region

Rather than reducing its cultural footprint, Moreton Bay Region has invested in and expanded its cultural activities in sync with…

Opinions & Analysis

Craig McLachlan and workplace respect (from the archives)

McLachlan was accused of indecent assault in 2014 so the state’s previous laws were applied to the case. But what…

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Performance Review: Meat Mirror, Anywhere Festival

This new feminist artwork by Brisbane-based artist Jay Younger and performer/choreographer Lisa O’Neill cleverly lures in the audience with comedy…

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