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Amy Karle, Regenerative Reliquary, 2016, video. Photo courtesy of the artist.
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ICYMI: the week's top arts news

From an Indigenous writing symposium to festival cancellations, here's the arts news you may have missed this week.

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Fourth RISE round announced: $40 million to 82 orgs

While the roll out of $40M to the sector is welcomed, there are growing inconsistencies and warnings demonstrated in the…

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Review: ‘Outlines’ is a lockdown gift from Sydney Opera House

Four substantial new digital works from Australia, the UK and Korea are freely available to stream. Chris Boyd applauds the…

Child viewing museum object.
Features

Is art and cultural history still relevant to the present?

From a First Nations lens to putting community-led conservation first, writer Vyshnavee Wijekumar examines the role of collections today, and…

Detail of repatriated Indian artwork from NGA Collection.

NGA repatriates 14 objects to India, valued at over $3M

Updated policy overlays ethical lens on collecting, with implications for First Nations collections, and ushering a next chapter for National…

Patricia Piccinini, The Supporter
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Piccinini’s Flinders Street installation extended to January 2022

ArtsHub speaks with Piccinini on the feeling of loss with closures and the importance of public engagement as her RISING…

Sue Healey’s ON VIEW: PANORAMA, Yokohama 2020
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The next pivot: a digital response to disruption

The Australia Council’s new national Digital Culture Strategy aims to embed digital thinking in a whole-of-sector approach, via mentorships, residencies,…

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Regional creatives shine at coastal art month

An art fair in a retro motel, live performances, gourmet food and coastal views offer the perfect getaway in a…

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Opportunities and Awards Wrap

Entries open for $150,000 Moran Portrait Prize, 2022 Cairns Indigenous Art Fair Commission, free Tasmania art studio, and shortlists announced…

a woman looking at a shiny round reflective sculpture in a gallery
Features

Galleries are our anchors amid COVID closures

Persistent, intermittent COVID gallery closures reveal what we miss most about their spaces and why they matter so much.

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