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Exhibition review: I have not loved (enough or worked)

A cleverly curated collection of artwork concerned with the body/mind boundary. 

Features

Reflecting on a smashing year of glass

2022 was the United Nations International Year of Glass (IYoG2022). Did it make a difference for glass artists?

Features

What makes a good museum and gallery shop?

While funky jewellery and creative home decor are cool, what’s better are products with deep local engagement that create one-of-a-kind…

A photograph of Suzy Wrong standing very tall wearing an enormous colourful dress that is made out of national flags stitched together. The dress looks as though it is rippling in the wind. In the background is the Sydney Harbour Bridge and Sydney Opera House.
Features

Art that drives social change

From celebrating queer communities and creating safe spaces to championing authentic First Nations voices, how will art make us see…

News

Venice Biennale blockbusters to land in Sydney bigger and better

Two acclaimed works from the Venice Biennale will be reimagined for Sydney’s audience in 2023.

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Exhibition review: Dreamhome: Stories of Art and Shelter

A landmark exhibition for the new AGNSW, Dreamhome centres deep connections and diverse narratives at home and abroad.

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Opportunities and awards

Entries open soon for the WA Premier's Book Awards, while three winners of the National Arts and Disability Awards have…

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Exhibition review: Skeletons, Judy Watson

Revealing buried evidence that speaks to a different national narrative.

ceramicist Les Blakbrough holding a pot
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Vale Les Blakebrough AM, the creator of Southern Ice Porcelain

The acclaimed ceramicist changed the landscape of Australian ceramics, and impacted the medium globally with his Southern Ice Porcelain.

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Exhibition review: Yeahnahnesia, Art Gallery of Western Australia

Imaginative artefacts from a non-existent world.

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