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Exhibition review: Paul Bai, Pestorius Sweeney House

An understated exhibition set in Queensland suburbia speaks volumes about the state in which we live.

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Exhibition review: Holding Pattern, Haus of Vovo

An exhibition that celebrates texture and pattern while strategically navigating the cultural connotations of textile works.

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Event review: SALA Festival, Adelaide

A critical exploration of South Australian Living Artists (SALA) Festivalā€™s fusion of commerce and creativity.

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Exhibition review: Jemima Wyman, Sullivan+Strumpf, Melbourne

With each meticulously constructed collage, Jemima Wymanā€™s solo exhibition ā€˜World Cloudā€™ offers viewers transcendence.

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Exhibition review: Going Insein, Gertrude Glasshouse

Artwork inspired by the inhumane conditions of the largest prison in Myanmar/Burma.

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Exhibition review: Dean Cross, Canberra Contemporary Art Space

Dean Cross' exhibition 'Sad State' presents a collision of materials, ideas and histories.

A darkened warehouse space with a single female figure looking at a bright white light art installation that is the room's only light source.
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Site-responsive arts biennale enters exciting growth phase

An immersive arts biennale is steadily strengthening its place within the Australian contemporary arts scene.

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Opportunities and awards

Professional development opportunities for writers, visual artists, comedians and more, plus winners and finalists across the sector.

Career Advice

New views on hoarding art

Art on construction hoardings is embedded in the urban environment ā€“ why is it there and what can it offer…

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What does an artist collective look like today?

Ten artist collectives come together in the Collective Polyphony Festival to reconsider whatā€™s needed in our arts ecology today.

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