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Five people wearing suits stand across a dark stage, with the large word SILENCE above their heads. Truth at Malthouse.
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Theatre review: Truth, Merlyn Theatre, Malthouse

Patricia Cornelius' latest play tells the story of the WikiLeaks founder who 'wanted to change the world'.

A young woman wearing a black dress with red trim has one arm over her head and one by her stomach.
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Theatre review: Short + Sweet Sydney Opening Week, Heat 1, 2025

A competition to find the best 10-minute play. The first heat was of mixed quality.

A crowd of people are seated around a central area. In the middle of which is a screen that says "191. How do you know?"
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Performance review: 12 Last Songs, WA State Theatre Centre, Perth Festival

Experimental and unscripted, this interactive, community-driven performance lasted for 12 hours.

Two men, one with a FBI vest, are on the left, with their arms pointing to a woman on the right.
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Theatre review: Is This A Room, State Theatre Centre of WA, Perth Festival

A real-life interrogation about Russian interference in the 2016 US election is recreated onstage.

A young man in a singlet standing in profile and leaning his arms back on a green bench.
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Theatre Review: Cruise, KXT on Broadway, Mardi Gras

Jack Holden’s Olivier Award-nominated play arrives in Australia for Sydney’s Mardi Gras.

A woman standing at a podium. Behind her is an American flag.
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Theatre review: POTUS, fortyfivedownstairs

A satirical farce with a conceit and style very similar to 'Veep' that can’t quite compare.

Tim Minchin and band performing ‘Tim Minchin – First at the Foundry’ at the Foundry Theatre, Sydney. The photo shows Minchin, a fair-skinned man with shoulder length hair and wearing a white shirt and dark trousers, caught mid-song. His arms are stretched wide and four musicians are visible on the stage behind him; the other half of the photo shows the audience members at the Foundry Theatre.
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Theatre review: Tim Minchin – First at the Foundry

The Australian performer christened the stage of the new Foundry Theatre with a show that was equal parts brilliant and…

An elderly woman (Nancye Hayes) is standing in a living room filled with books. She's wearing a white dress. A 20 something man is seated on a couch (Shiv Palekar)
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Theatre review: 4000 Miles, Wharf 1 Theatre, Sydney Theatre Company

This staging of Amy Herzog’s play is elevated by the formidable acting talents and experience of the great Nancye Hayes. 

La Boite open's its centenary season with a female-led, three-hander Macbeth. (Image: David Kelly)
News

La Boite Theatre celebrates a century with a bold new take on 'Macbeth'

Coinciding with International Women's Day, the new version of 'Macbeth' centres on the narrative of the witches.

Career Advice

So you want my arts job: Librettist

If you possess humility, audacity, originality and passion, becoming a librettist may suit you, says playwright, director, dramaturg and librettist…

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