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Theatre review: Moth, Theatre Works

The return season of this two-hander proves it remains as relevant and fresh as ever.

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How a pandemic pivot helped this actor gain a Rising Star scholarship

Tasmanian actor Noah Sargent, 21, explains how thinking outside the box when theatres were closed helped inspire his application to…

I Gut this Feeling Jamaylya Ballangarry-Kearins and Maurice Sailor. Photo: Mimi Tanaka
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Good things happen when the young Dare to Dream

JUTE Theatre Company’s new First Nations residency program, Dare to Dream, hits the road this month in Far North Queensland.

three actors on stage in front of a large filmed projection of a horse against the sun.
Features

Can live theatre in cinemas reel in new arts audiences?

What began as an experimental partnership between a cinema owner and a theatre company is proving a surprising lure for…

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Theatre review: I Wanna Be Yours, MTC

The debut play by UK slam poetry champion Zia Ahmed is let down by trivial metaphors, bland characters and a…

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Musical review: Tina – The Tina Turner Musical, Theatre Royal

Ruva Ngwenya is so outstanding in this new jukebox musical that you'd swear you were seeing the real Tina Turner…

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Theatre review: Selling Kabul, Red Stitch Actors’ Theatre

Sylvia Khoury's 'Selling Kabul' is a play that helps us remember why the caged bird sings.

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Opera review: HMS Pinafore, G&S Fest

Set sail for more Gilbert and Sullivan fun on the high seas with State Opera South Australia and the ASO.

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Performance review: The Poison of Polygamy, La Boite Theatre

A rediscovered morality tale highlighting the Chinese diaspora in Australia and offering some fresh perspectives.

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Opera review: The Pirates of Penzance, G&S Fest

Featuring clever staging, colourful costumes, cheeky comedy and beautiful work from the ASO and SOSA, this production is a delight.

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