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Festival review: A Divine Comedy and more, Dark Mofo 2023

From thrillingly transgressive dance-theatre to the debauchery of Night Mass, Dark Mofo remains an alluring and challenging spectacle.

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Theatre review: Where Water Once Was, Blue Room Theatre, WA

An entertaining exploration of ennui and inevitable entropy.

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Theatre review: Hide the Dog, Arts Centre Melbourne, RISING

The first trans-Tasman First Nations children’s production toured from Sydney to Melbourne for RISING.

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Performance review: Masterclass, Malthouse, RISING

A RISING show that really lives up to its name, this two-hander from Adrienne Truscott and Brokentalkers delivers on all…

Features

The cost of admission – are theatre ticket prices too high?

With rising living costs, are our major companies doing enough to ensure access for those on low incomes?

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Performance review: Buŋgul, Hamer Hall, RISING

Gurrumul Yunupiŋu’s album 'Djarimirri (Child of the Rainbow)' is translated for the stage by Yolŋu dancers and songmen with the…

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Theatre review: Do Not Go Gentle, Roslyn Packer Theatre

Patricia Cornelius' award-winning play about ageing and raging against the dying of the light is remounted in this large-scale production.

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Theatre review: Scenes From the Climate Era, Belvoir St Theatre

A play comprising 65 short scenes explores likely climate era possibilities.

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Theatre review: Climbers, fortyfivedownstairs

An ambitious production that doesn’t quite hit the mark, but showcases strong emerging talent in all cast and creative roles.

Things I Know To Be True, presented by Black Swan State Theatre Company. Actors pictured l – r: Caroline Brazier, Laura Shaw, Kaz Kane, Emma Jackson, Humphrey Bower and Will O’Mahony. Photo: Daniel J Grant.
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Theatre review: Things I Know To Be True, State Theatre Centre, WA

Devastating hidden edges of family relationships are brought to light in Black Swan State Theatre's staging of Andrew Bovell's play.

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