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A man in a cap and a vest over a white shirt. There is mist around him.
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Theatre review: Criminal Outsider, various venues, Adelaide Fringe

Never underestimate the power of a woman.

Caroline Lee, with brown hair in pony tail and wearing blue top, is tussling with Peter Houghton, a man with grey hair in a suit. Honour.
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Theatre review: Honour, Red Stitch Actors’ Theatre

An excellent production of a 30-year-old play, but it does feel a bit dated.

A man (Borja Maestre) and a woman (Sarah Peirse) are hugging. They are in spotlight. There is darkness around them.
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Theatre review: Song of First Desire, Belvoir St Theatre

A compelling play about the inheritance of fascism in Spain.

A man and woman facing each other. They are both dressed in Regency costumes. In the background are four other characters moving chairs around.
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Theatre review: Pride & Prejudice, Playhouse Theatre, QPAC

Jane Austen’s 'universally acknowledged' novel has been newly adapted by Queensland Theatre in a stunning production.   

A bare-chested man with black pants is holding onto a woman in white. There is a white railing behind them.
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Ballet review: Nijinsky, Regent Theatre

The Australian Ballet is in its element for John Neumeier's 'Nijinsky'.

A scene from A Daylight Connection's 'A Nightime Travesty' at Malthouse Theatre for Asia TOPA 2025. Two Aboriginal women dressed as airline stewardesses stand on a blue-lit set as bloody rags fall from above. Behind them at stage right stands a sexy, shirtless, Aboriginal actor playing Death; at stage left, two musicians are visible.
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Theatre review: A Nightime Travesty, Malthouse Theatre, Asia TOPA 2025

A ferociously funny, controlled yet chaotic Blak vaudevillian comedy that pulls no punches and decapitates its prisoners.

Two women and five men inside a house. You can see a darkened sky outside.
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Theatre review: And Then There Were None, Comedy Theatre

The best selling crime novel of all time receives another stage adaptation.

An African Australian woman with long dark haired tied back, a Caucasian woman with a messy blonde bun, an Indian man with a black bun and a Caucasian man with short blond hair sit around a pit with sand in it drinking espresso martinis on stage set decorated like a Turkish restaurant. Never Have I Ever, Melbourne Theatre Company.
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Theatre review: Never Have I Ever, Fairfax Studio

Both witty and wily, Deborah Frances-White's play makes for a very entertaining night in the theatre.

A young man holding onto a young woman. The lgiht around them is night-blue.
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Musical review: Hadestown, Theatre Royal Sydney

While some elements are impressive, others are undercooked and underwhelming.

Two figures in shadowed darkness in the middle of the stage holding onto each other. Heavy drapery surround them with red tones.
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Theatre review: Our Monster’s Name is Jerry, Theatre Works

Gothic tropes are explored, but without the promised scares.

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