Theatre
Theatre review: Lady Day at Emerson's Bar & Grill, Belvoir St Theatre
Every element of this journey into the closing stages of Billie Holiday's life and career is entrancing from start to…
Theatre review: The Paper Escaper, Theatre Royal Studio, Hobart
The Paper Escaper follows the adventures of a character who wants to leave a pop-up book and write their own…
Activists will tell you that trans roles should go to trans actors – I disagree
When a certain children's author is played by a trans performer and a trans character is played by a cis…
Phantom’s Sarah Brightman to star in new Australian production of Sunset Boulevard
‘All right Mr DeMille, I’m ready for my close-up’: Brightman to play deranged silent picture star Norma Desmond in lavish…
Performance reviews: The Hotline, Poet No.7 and Zaffé, Melbourne Fringe Festival
An on-demand pregnancy hotline, post-apocalyptic Melbourne and reimagining of a traditional Lebanese wedding at Melbourne Fringe 2023.
Performance review: Elvis: A Musical Revolution, Athenaeum Theatre
With two rock and pop musicals opening in Melbourne on the same night, a show about the King manages to…
Performance review: Tender, the Vault, Sydney Fringe Festival
This circus cabaret hybrid explores a disassembling of gender constructs in its fluid meld of bodies.
Shining a spotlight on South Asian Australian theatre
Why you should care about South Asian Australian theatre companies and their futures.
Patrick Gunasekera and Georgi Ivers: two artists and their journeys in crip time
Care can come in the form of time, patience, flexibility and community engagement in a world that still poses so…
Performance reviews: Best of the Fest and Me, My Cult & I, Sydney Fringe Festival
These performances remind us that independent art can be charming, but not always perfect.