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Elvis. Man in black leather playing guitar.
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Performance review: Elvis: A Musical Revolution, Athenaeum Theatre

With two rock and pop musicals opening in Melbourne on the same night, a show about the King manages to…

Tender. A tangle of naked bodies on a steel cube against a black background.
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Performance review: Tender, the Vault, Sydney Fringe Festival

This circus cabaret hybrid explores a disassembling of gender constructs in its fluid meld of bodies.

South Asian. Indian woman with red sari, gold jewellery and holding up a gold lined veil.
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Shining a spotlight on South Asian Australian theatre

Why you should care about South Asian Australian theatre companies and their futures.

Gunasekera. Production still from ‘You're So Brave’. Photo: Rama Dolman. The image shows a female figure holding a microphone in the centre against a stage with red light and two projector panels on each side.
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Patrick Gunasekera and Georgi Ivers: two artists and their journeys in crip time

Care can come in the form of time, patience, flexibility and community engagement in a world that still poses so…

best of the fest. Image shows an audience from the seen from he stage with a microphone in the middle of the shot.
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Performance reviews: Best of the Fest and Me, My Cult & I, Sydney Fringe Festival

These performances remind us that independent art can be charming, but not always perfect.

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A multi-hatted educator, actor and director takes on his next challenge

TAFE SA's Adelaide College of the Arts students have access to both industry-standard theatre spaces and renowned professional contacts with…

posthuman theatre. A photograph of a woman's face as reflected in numerous glasses of water.
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A beginners' guide to posthuman theatre

Ever heard of posthuman theatre? It may surprise you to realise it's profoundly human in form.

Shadow Boxing. A bare-chested man in profile takes a boxing stance.
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Theatre review: Shadow Boxing, Emerging Artists’ Sharehouse, Sydney Fringe

A raw and vivid production exploring the crossover between masculinity, sexuality, violence and identity.

the little mermaid. Woman with long red hair and mermaid costume stands on stage.
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Musical review: The Little Mermaid, Mandurah Performing Arts Centre, WA

Better than Broadway, this production was perfectly cast, exquisitely choreographed and aesthetically executed.

Strictly Gershwin. A number of ballet dancers pose mid dance in front of a film screen showing Fred Astaire and Ginger Rogers.
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Dance Review:  Strictly Gershwin, QPAC

A welcome return tribute offers a sparkling production and splendid dancing from Queensland Ballet.

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