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Dead Man's Cell Phone. Image is two actors, one male, one female in a pink light against a black background. They are facing one another and touching their fingertips together.
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Theatre review: Dead Man's Cell Phone, Slingsby's Hall of Possibility

Wickedly Good Productions presents an intriguing, comedic and moving production on one phone’s ability to connect people.

The Master and Margarita. Image is a group of five actors sitting, crouching or standing on stage in front of a huge lit W sign.
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Theatre review: The Master and Margarita, Belvoir St Theatre

Adapted from Bulgakov's classic novel, this stage version is compelling whether or not you're familiar with the original book.

Circa. Image is a group of barechested acrobats holding up another performer on a dark stage.
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Performance review: Son and Wolfgang’s Magical Musical Circus, Playhouse Theatre, QPAC

A Circa double bill featuring new work from First Nations-led ensemble Circa Cairns, and a family-friendly reimagining of Mozart and…

At the End of the Land. Image is a swirling blue haze with a black circle in the middle in which stands a woman with black top and shoulder length hair.
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Performance Review: At the End of the Land, PICA Performance Space, WA

A non-linear and Lynchian solo performance, with visual and aural extravagances.

Daylight Connection. Image is an Aboriginal man flanked by two Aboriginal women whoh each have a hand on his shoulder. All are wearing grey T shirts.
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Theatre review: Whose gonna love ‘em? I am that i AM and Chase, Malthouse Theatre

First Nations Theatre collective A Daylight Connection presents a double bill that provokes, examines and entertains.

'Shakespeare in the Garden – A Midsummer Night’s Dream'. Image is a green leafed clad fairy atop a green leafy piece of set with a background of trees.
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Theatre review: Shakespeare in the Garden – A Midsummer Night's Dream, Wollongong Botanic Garden

Merrigong Theatre Company's enchanting reimagining of Shakespeare's classic against a breathtaking natural backdrop.

'How Do I Let You Die?' by Michele Lee, performed at Arts House featuring Alice Qin. Photo: Sarah Walker.
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Theatre review: How Do I Let You Die?, Arts House

Michele Lee’s autobiographical tale of Hmong parents, death and ghosts raises intriguing questions, which resonate with the migrant experience.

The Seagull. A young man with a bloodied bandage on his head sits with his legs drawn up to him and is embraced by an older woman in a black jumper.
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Theatre review: The Seagull, Roslyn Packer Theatre

A contemporary version of Chekhov's famous play shows 'The Seagull' has lost none of its relevance.

Vampire Lesbians of Sodom. Image is a female in long black clothes sweeping another woman in what appears to be pale blue bathers off her feet. They are on a bare stage in front of a curtain.
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Theatre review: Vampire Lesbians of Sodom, fortyfivedownstairs

A night of queer spectacle jam-packed with laughs and all things camp.

A Christmas Carol. Image is a darkened stage with an ensemble of Dickensian actors holding lanterns and Scrooge in a reddish dressing gown looking out through a door frame.
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Performance review: A Christmas Carol, Comedy Theatre

'A Christmas Carol' returns after a triumphant run last year, this time with Owen Teale as Scrooge.

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