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Grease. A group of musical theatre performers dressed in 50s clothes sit and stand on the stage facing forward.
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Musical review: Grease: The Musical, Her Majesty's Theatre

It's colourful and energetic certainly, but this production does not do anything to update the original flavour.

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How Bluey made the move from animation to stage

ArtsHub speaks with 'Bluey's Big Play' puppetry director Jacob Williams and performer Jess Golle on translating from screen to stage…

Five dancers wearing sleeveless organe tops and loose grey pants move-animal-like across on the stage on all fours. Behind them in a black and white digital animation of stylised animals including a rhino, camels and a giraffe.
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Dancing with wolves in the national capital

The work of one of the world’s greatest contemporary choreographers has never been seen in Canberra – until now.

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Musical Theatre review: The Choir of Man, Arts Centre Melbourne

Singing and dancing in a pub setting brings frothy joy to all.

Publicity image for Future D. Fidel's 'La Belle Epoque' at Theatre Works. Photo: Morgan Roberts. A black man is seen emerging from the shadows with a large chain necklace and what appears to be a floating crown above his head.
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What’s in store in 2024 for the performing arts (part five)

From indie theatre to choral masterpieces, 2024 has much to offer in the performing arts.

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Theatre review: Circus 1903, Sydney Opera House

Puppetry meets circus arts in a show that's fun for the whole family.

'The Final Line'. Photo: Courtesy the Great Indian Theatre Company.
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Theatre review: The Final Line, Nexus Theatre

The Great Indian Theatre Company’s debut work is by turns epic, grand and farcical.

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Performance review: TRIPTICO, ARA Darling Quarter Theatre, NSW 

A dance theatre celebration of the life and works of Australian artists Elena Kats Chernin and Wendy Sharpe.

projected imagery around a venue recreating a circus like environment.
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Immersive performance review: Dream Circus, Luna Park

Luna Park's immersive experience is a great idea, but a $15 million dud for Sydney.

'Is That You, Ruthie?'. Two First Nations women are on stage in a dormitory, one sitting on the floor, one crouching underneath a metal framed bed. They are wearing grey tunics and playing with small wooden figurines.
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Theatre review: Is That You, Ruthie?, Cremorne Theatre

A theatrical journey that resonates as a testament to the strength of truth-telling. 

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