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The Inheritance. A group of men on a dimly lit stage, with two spotlit in the centre hugging.
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Theatre review: The Inheritance, fortyfivedownstairs

A theatre marathon about the intergenerational relationships, romantic or otherwise, of a gay community in New York City. 

Dangerous Goods. Three black clad performers wear T shirts that say 'show up' and sing into microphones while spotlights shine down on them.
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Performance review: Dangerous Goods, QPAC

A high-octane cabaret that includes circus, aerials, drag and burlesque.

Seventeen. Five adults dressed and acting like teenagers gather around a swing set to take a joint selfie.
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Theatre review: Seventeen, Southbank Theatre

The collision of age and youth is explored in this comedic start to MTC's 2024 program.

‘Big Name, No Blankets’ premiered at Sydney Festival 2024. Photo: Brett Boardman. Close up of some of the cast of Big Name No Blankets, a man in front has his arms up holding clapsticks, bright stage lights in the background give the feeling of an epic rock show.
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Performance review: Big Name, No Blankets, Sydney Festival

Sydney Festival’s electrifying show about the Warumpi Band whose music changed lives, is one that truly rocks.

Janet Anderson as Rosie in 'Overflow'. Photo: Robert Catto. A woman with a red ponytail smoking and sitting on a toilet. She is wearing a black jacket with skirt, stockings and platform boots.
Features

A cubicle of one’s own

A one-woman show set in a bathroom and detailing trans experiences that goes from being vulnerable to fiercely unapologetic.

Pillow Fight. Against a black backdrop man and woman sit on a bunk bed surrounded by toys and puppets. Beside the bunk are boxes with labels like ’stuff’, ‘junk’, ‘Shane’s cool stuff’ and ‘Nadia’s baby stuff’.
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Theatre review: Pillow Fight, Claremont Showground, Perth

A puppet show about sibling love and rivalry covers a vast terrain of adventures.

Australian Gothic Tales. Five men and women stand in front of a red curtain looking at the camera and smiling.
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Theatre review: Australian Gothic Tales, The Butterfly Club

A lacklustre presentation of Australian stories that sidesteps Gothic elements entirely.

'You're a Good Man, Charlie Brown' at Geelong Arts Centre. Photo: Michael Mason. Six performers dressed in colourful attire on stage with the background of a cartoonish park. They are posing in a group with happy and cheeky expressions.
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Theatre review: You're a Good Man, Charlie Brown, Geelong Arts Centre

A vibrant production of the Charlie Brown franchise offers outstanding performances, but some outdated tropes.

Orpheus & Eurydice. Minimal white stage set featuring a cage, with acrobats and opera singers.
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Opera review: Orpheus & Eurydice, Sydney Festival

Far from detracting from the enjoyment, acrobats add to the complexities of this classic opera.

Il Tabarro. Four opera singers dressed in period nautical gear sing from the prow of a ship.
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Opera review: Il Tabarro, Sydney Festival

Ambitiously staged aboard a lightship, this production struggled to stay afloat.

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