Theatre
Exit interview: Peter Kift, Yirra Yaakin Theatre Company
The company’s long-serving General Manager, who stepped down from his role in mid-December, reflects on the triumphs, challenges and future…
Theatre review: Slippery, The Butterfly Club, Midsumma Festival
Mayhem ensues when a polyamorous love square becomes a triangle and one of the lovers returns as a ghost to…
Theatre review: The Inheritance, fortyfivedownstairs
A theatre marathon about the intergenerational relationships, romantic or otherwise, of a gay community in New York City.Â
Performance review: Dangerous Goods, QPAC
A high-octane cabaret that includes circus, aerials, drag and burlesque.
Theatre review: Seventeen, Southbank Theatre
The collision of age and youth is explored in this comedic start to MTC's 2024 program.
Performance review: Big Name, No Blankets, Sydney Festival
Sydney Festival’s electrifying show about the Warumpi Band whose music changed lives, is one that truly rocks.
A cubicle of one’s own
A one-woman show set in a bathroom and detailing trans experiences that goes from being vulnerable to fiercely unapologetic.
Theatre review: Pillow Fight, Claremont Showground, Perth
A puppet show about sibling love and rivalry covers a vast terrain of adventures.
Theatre review: Australian Gothic Tales, The Butterfly Club
A lacklustre presentation of Australian stories that sidesteps Gothic elements entirely.
Theatre review: You're a Good Man, Charlie Brown, Geelong Arts Centre
A vibrant production of the Charlie Brown franchise offers outstanding performances, but some outdated tropes.