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Four people lie entwined in a group, they are all wearing white or cream coloured clothes. Closer. La Boite Theatre.
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Theatre review: Closer, La Boite Theatre

An enthralling tale about the contentious nature of love and lust.

Sydney Theatre Company. Into the Shimmering World. Image is a stage set of a farmhouse kitchen, set upon a platform with stairs up to it. Three of the four walls are missing and a man in farmer's clothes stands on the left of the platform with arms outstretched.
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Theatre review: Into the Shimmering World, Sydney Theatre Company Wharf Theatres

The brutality of the Australian landscape is evoked to tell a story of love, loss and renewal. 

James and the Giant Peach. A man dressed in boy's shorts and shirt has two people either side turned towards him and putting their hands on him, they are dressed as insects. They are all on a stage with a big orangey red backdrop and a couple of chairs, which could be representing the inside of a peach.
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Theatre review: James and the Giant Peach, QPAC

A visually splendid production that would have benefited from greater attention to the narrative.     

Whitesnake3000. A woman of Asian appearance looks at the camera from side on. She is smiling and wearing white face make-up while sucking on a green tube.
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Performance Review: WHITESNAKE3000, State Theatre Centre of WA

Autobiographical dance theatre work exploring artistic, cultural and gender identity.

First Nations woman in red dress standing in gallery space with Torres Strait Island art. Gail Mabo.
Q&A

In conversation: Gail Mabo on curating and legacy

Dancer cum choreographer cum artist, Gail Mabo turns her hand to curating as a way to share culture.

West Side Story by Opera Australia. A dark harbourside long shot of two young lovers - Tony and Maria - standing on metal balcony embracing, with a cityscape behind them.
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Opera review: West Side Story, Sydney Harbour

A stunning revival production of Opera on the Harbour’s biggest hit musical.

GRIT. Image is four young people on a stage against a black backdrop. A man at the front has a mic and is shielding his eyes from the light with his hand. Behind him two woman are also singing into mics, while a third woman is closer to the front sitting on a seat with crossed legs and lacing her fingers around her knee.
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Performance review: GRIT, Perseverance Street Studio, Queensland

Captivating songs and stories about regional towns.

Akaraka. A dark set with two people of African appearance, a woman with braided hair and a wraparound shoulderless costume, wearing a red necklace and an older seated man, dressed in regal robes with a red hat.
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Theatre review: Akaraka, The Substation

Akaraka grapples with topics related to the West African diaspora in Australia.

Teeth and Tonic. Two young women sit on a couch looking at a phone with raised eyebrows. One is in a short black dress with a red shirt over it and on the right is one with brown/black trousers and an apricot top.
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Theatre review: Teeth and Tonic, La Mama Courthouse

An exploration of misogyny but leavened with humour and friendship.

L to R: Autumn Skuthorpe, Brenden Borellini and Georgia Cranko. Photo: Luke Monsour, Bulimba Studio. Three people stand on a stage behind a clear podium at the Matilda Awards. Skuthorpe has long curly brown hair, rosy cheeks, and an aqua-coloured dress. Skuthorpe is writing on the palm of Borellini, who has closely shaved hair, short grey stubble and wearing a black suit. Cranko has short curly brown hair, wearing a black vest and grey pants.
News

What happens when theatre is informed by lived experience

'Breathe In' by Brenden Borellini, Georgia Cranko, Alison Richardson and Crossroad Arts is a prime example of powerful theatre informed…

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