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Slippery. Image is three white faced clowns (one of whom is bearded and bald) with big ruffs and hearts on the front of their gowns.
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Theatre review: Slippery, The Butterfly Club, Midsumma Festival

Mayhem ensues when a polyamorous love square becomes a triangle and one of the lovers returns as a ghost to…

The Inheritance. A group of men on a dimly lit stage, with two spotlit in the centre hugging.
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Theatre review: The Inheritance, fortyfivedownstairs

A theatre marathon about the intergenerational relationships, romantic or otherwise, of a gay community in New York City. 

Dangerous Goods. Three black clad performers wear T shirts that say 'show up' and sing into microphones while spotlights shine down on them.
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Performance review: Dangerous Goods, QPAC

A high-octane cabaret that includes circus, aerials, drag and burlesque.

Seventeen. Five adults dressed and acting like teenagers gather around a swing set to take a joint selfie.
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Theatre review: Seventeen, Southbank Theatre

The collision of age and youth is explored in this comedic start to MTC's 2024 program.

‘Big Name, No Blankets’ premiered at Sydney Festival 2024. Photo: Brett Boardman. Close up of some of the cast of Big Name No Blankets, a man in front has his arms up holding clapsticks, bright stage lights in the background give the feeling of an epic rock show.
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Performance review: Big Name, No Blankets, Sydney Festival

Sydney Festival’s electrifying show about the Warumpi Band whose music changed lives, is one that truly rocks.

Janet Anderson as Rosie in 'Overflow'. Photo: Robert Catto. A woman with a red ponytail smoking and sitting on a toilet. She is wearing a black jacket with skirt, stockings and platform boots.
Features

A cubicle of one’s own

A one-woman show set in a bathroom and detailing trans experiences that goes from being vulnerable to fiercely unapologetic.

Pillow Fight. Against a black backdrop man and woman sit on a bunk bed surrounded by toys and puppets. Beside the bunk are boxes with labels like ’stuff’, ‘junk’, ‘Shane’s cool stuff’ and ‘Nadia’s baby stuff’.
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Theatre review: Pillow Fight, Claremont Showground, Perth

A puppet show about sibling love and rivalry covers a vast terrain of adventures.

Australian Gothic Tales. Five men and women stand in front of a red curtain looking at the camera and smiling.
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Theatre review: Australian Gothic Tales, The Butterfly Club

A lacklustre presentation of Australian stories that sidesteps Gothic elements entirely.

'You're a Good Man, Charlie Brown' at Geelong Arts Centre. Photo: Michael Mason. Six performers dressed in colourful attire on stage with the background of a cartoonish park. They are posing in a group with happy and cheeky expressions.
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Theatre review: You're a Good Man, Charlie Brown, Geelong Arts Centre

A vibrant production of the Charlie Brown franchise offers outstanding performances, but some outdated tropes.

Orpheus & Eurydice. Minimal white stage set featuring a cage, with acrobats and opera singers.
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Opera review: Orpheus & Eurydice, Sydney Festival

Far from detracting from the enjoyment, acrobats add to the complexities of this classic opera.

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