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The Roof is Caving In. La Mama Courthouse. Three young women on a stage draped in fabric. In the middle is a woman in white and light blue with her arms around a woman dressed in orange on the left and purple on the right. They are crouching under the middle woman's grasp and hold their belongings in boxes.
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Theatre review: The Roof is Caving In, La Mama Courthouse

A very topically-themed play about share housing.

Image: The Butterfly Club. The Librar(IAN) poster with a digitally edited image showing a portrait of a person smiling set against a bookcase.
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Theatre review: The Librar(IAN), The Butterfly Club

‘The Librar(IAN)’ is a semi-autobiographical hour of comedic theatre celebrating the important role libraries and librarians play in their local…

World Problems. Image is a woman in grey standing on a stage in front of the mouth of a tunnel, that looks as if it's lined in slate. There are boulders at her feet and we can see the silhouetted heads of the front row of the audience from behind.
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Theatre review: World Problems, Southbank Theatre

A solo show that spans near and far, borne of personal and global events.

The Grinning Man. A huddle of seven young actors in vaguely Victorian/Edwardian clothing grasp and peer over each other with manically grinning faces.
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Musical review: The Grinning Man, Alex Theatre

A number of miscalculations may make you grimace instead of grin in the Australian premiere of this British musical.

WAY. On a dark stage an older worried looking white woman in a grey hoodie is using a phone in a telephone box. A chair is on the right of the picture.
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Theatre review: WAY, fortyfivedownstairs

A one-person show that skilfully covers a societal issue with empathy and compassion.

Peacemongers. Against a green backdrop an Asian woman and white man sit at a dinner table laden with food, candles and books. He holds a butternut pumpkin and she holds a wine glass. They are both wearing serviettes tucked into their collars.
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Theatre review: Peacemongers, Darebin Arts Speakeasy

An experimental think piece that played with the concept of a perfect world.

The King's Player. Image is a bald white actor dressed in scruffy Middle Ages clothes with his mouth agape and his arms stretched out in surprise. Behind him is a large yellowish backdrop featuring a circle with a picture of a juggler in it.
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Theatre review: The King's Player, Alex Theatre

A one-man comedy show inspired by 'Hamlet', and told from the perspective of a lowly minstrel desperate for promotion.

Matthew Shepherd. Image is a black and white head and shoulders shot of a young blond man wearing a jumper and standing in a room in front of a window. His head is tilted to the left.
Features

Hate transmuted into theatrical gold in new staged reading of The Laramie Project

A Sydney reading of the verbatim play about Matthew Shepard’s murder will feature Shepard’s father, Dennis, reading his courtroom statement.

Wild Dogs Under My Skirt. Image is a group of Samoan women on a stage sitting on chairs in a semi circle and holding their fists together in front of them. In the middle stands another woman in a grey dress raising her arms triumphantly. The camera is at the back of the audience so some silhouetted heads are in the foreground.
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Performance review: Wild Dogs Under My Skirt, Riverside Theatres

Poetry-based work about being a Samoan woman performed by a multi-skilled ensemble.

A woman of Asian appearance sits on a stool smiling at the camera. She has long dark hair and wears an orange-brown outfit. The background is indistinct.
News

New musical celebrates Australian inventiveness

The creation of the black box flight recorder is the focus of a new musical theatre production opening at QPAC…

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