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Against pink swirly drapes, a man and a woman are sitting on chairs. She on the left is dressed in an old fashioned dress and a wide brimmed hat and carrying a clipboard. He is wearing modern clothes: pants and a shirt. He has his arms wide, in the middle of talking.
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Theatre review: The Platypus, Theatre Works

An unflinching play based on real experiences that hits a little too close to home.

A woman with her hair in a bun is standing spotlit in centre of stage. She is wearing silver blouse and black pants and carrying a bouquet of roses. Petals are strewn below her. A band can be seen playing around her, in semi darkness.
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Theatre review: Master Class, Ensemble Theatre

Terrence McNally’s play about opera legend Maria Callas gives us a masterclass in stagecraft.

A woman is standing in front of a red curtain drape. She has dark hair and is dressed in black, with red trim. She is gesticulating, with arms stretched out, dramatically.
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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel

A cabaret tribute to the scandalous 19th century dancer and performer.

The lighting is blue. On the left a woman dressed up in metallic silver with matching headgear and long sharp nails is looking at a man in a black cloak and a mask on the right.
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Performance review: When Night Comes, The Austral

A multisensory immersive experience that blends theatre and cocktails.

The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

A woman is lying in a bathtub covered in bubbles. A man in a blue checkered shirt and t shirt sits nearby her and looks down at her.
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Theatre review: Cost of Living, Queensland Theatre

'Cost of Living' is a play for our times about the price we all pay to be human. 

A man with a salt and pepper beard is standing to one side and looking into the distance. He is wearing a white tunic and a crown made of flowers and leaves.
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Theatre review: King Lear, Neilson Nutshell, Pier 2/3

Bell Shakespeare takes a minimalist approach to 'King Lear' in its first production of the play since 2010 – with…

Julia Slater-Allan and Sam Corr in ‘Cutting Onions’. Photo: Supplied. A woman sitting on the countertop based in purple light in a domestic sitting, gesturing to a man wearing a black hoodie.
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Theatre review: Cutting Onions, The MC Showroom

A visual extravaganza about modern relationships.

Natalie Gamsu. Photo: Marija Ivkovic. A person smiling brightly wearing a red top and black skirt, which she is holding in her hand.
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Theatre review: Shrapnel, fortyfivedownstairs

A production that celebrates Natalie Gamsu and invites the Jewish South African community to recall memories of their formative years.

James Joyce (Tref Gare) performing his spider dance in ‘ Samuel Beckett and the Rainbow Girl’. Photo: Jody Jane Stitt.
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Theatre review: Samuel Beckett and the Rainbow Girl, St Martin’s Theatre

A new play exploring Irish novelist James Joyce’s Paris years in the 1920s.

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