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The lighting is blue. On the left a woman dressed up in metallic silver with matching headgear and long sharp nails is looking at a man in a black cloak and a mask on the right.
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Performance review: When Night Comes, The Austral

A multisensory immersive experience that blends theatre and cocktails.

The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

A woman is lying in a bathtub covered in bubbles. A man in a blue checkered shirt and t shirt sits nearby her and looks down at her.
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Theatre review: Cost of Living, Queensland Theatre

'Cost of Living' is a play for our times about the price we all pay to be human. 

A man with a salt and pepper beard is standing to one side and looking into the distance. He is wearing a white tunic and a crown made of flowers and leaves.
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Theatre review: King Lear, Neilson Nutshell, Pier 2/3

Bell Shakespeare takes a minimalist approach to 'King Lear' in its first production of the play since 2010 – with…

Julia Slater-Allan and Sam Corr in ‘Cutting Onions’. Photo: Supplied. A woman sitting on the countertop based in purple light in a domestic sitting, gesturing to a man wearing a black hoodie.
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Theatre review: Cutting Onions, The MC Showroom

A visual extravaganza about modern relationships.

Natalie Gamsu. Photo: Marija Ivkovic. A person smiling brightly wearing a red top and black skirt, which she is holding in her hand.
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Theatre review: Shrapnel, fortyfivedownstairs

A production that celebrates Natalie Gamsu and invites the Jewish South African community to recall memories of their formative years.

James Joyce (Tref Gare) performing his spider dance in ‘ Samuel Beckett and the Rainbow Girl’. Photo: Jody Jane Stitt.
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Theatre review: Samuel Beckett and the Rainbow Girl, St Martin’s Theatre

A new play exploring Irish novelist James Joyce’s Paris years in the 1920s.

The Eternity Playhouse has been home to Darlinghurst Theatre Company, now in voluntary administration.
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Darlinghurst Theatre Company placed into voluntary administration

The company made the surprise announcement online.

Two white men dressed in Victorian era garb sit on a stage, either side of a large theatrical costumes/props basket with a decanter on the top of it. One man is draped in a blanket and clutches a glass looking worriedly at the older grey haired man, who also looks concerned but off downstage right, clasping his hands in his lap.
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Theatre review: The Woman in Black, QPAC

A powerful production of this acclaimed British thriller has commenced its Australian nationwide tour. 

Death in the Pantheon. On a dark stage two actors are bathed in green light. One can only be seen from the neck down and is holding an ornate drinking contraption, with a red glass case, the other is bending below it to drink.
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Theatre review: Death in the Pantheon, Flight Path Theatre

The latest production from Sydney’s Upper Crass Theatre Company is somewhat flawed – but not without its charms. 

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