Theatre
Drama cuts that hurt us all
Theatre has so much more to offer than economic benefits, argues Professor Julian Meyrick.
Theatre companies push storytelling boundaries with online audiences in COVID-19
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a…
Theatre Review: Much Ado about Nothing by TheatreiNQ
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
Cabaret, theatre and a new Fringe: Brisbane’s arts sector fights back after COVID
Queensland Theatre is rehearsing its first production since March, while plans for the latest Queensland Cabaret Festival and a new…
Theatre review: Welcome to the Masque by Riverside Theatres Digital
In this scary era of the rampant COVID-19, a live theatre performance like Welcome to the Masque was a rare…
Theatre review: Biladurang 2.0 from VCR Fest
For Melbourne Fringe's VCR Fest, Joel Bray adapts his multi award-winning Fringe hit for the screen with 'Biladurang 2.0.'
What Darwin Festival learned about operating in a pandemic
The homegrown Darwin Festival 2020 created a palpable sense of community despite adhering to social distancing guidelines.
Review: Mouthpiece, Adelaide Festival (SA)
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell…
Review: Cold Blood, Adelaide Festival (SA)
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring…
Review: Dimanche, Adelaide Festival (SA)
Inventive puppetry tells a story of environmental collapse in a family-friendly show that ventures into bleak territory.