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Theatre Review: Fangirls (Adelaide Festival)

A sassy musical that looks into the heart of being a boyband music fan.

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Theatre Review: Young Frankenstein, Hayes Theatre

This often nonsensical pastiche of a show features great production and an eight-person cast work hard for their money –…

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Lighting the FUSE on an explosion of community creativity

Growth, change and adaptability are key elements of any creative practice, whether of individual artists or local councils, especially in…

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Theatre Review: Grand Gesture, La Mama Theatre

Grand Gesture robustly satirises the romantic narrative.

Features

Are local artists enough to save our festivals without international headliners?

Can 'hyperlocal' arts programming save Australia’s previously thriving festival scene? Or are audiences still looking for the big names from…

Features

The art of the impossible: International collaboration during COVID

Companies collaborating with Irish and New Zealand colleagues tell us how their productions are forging ahead despite the pandemic. Dogged…

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Theatre Review: Macbeth, Australian Shakespeare Company

There is nothing quite like a dazzling production of a timeless Shakespeare classic to invigorate and restore.

Features

How to establish an indie theatre company that endures

It’s inevitable that you’ll make some mistakes along the way, but if you’re considering creating a new indie theatre company,…

News

Buzz builds as The Hive Collective ready their premiere season

Queensland’s new independent theatre company is staging three plays by Australian female playwrights at Metro Arts’ New Benner Theatre.

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Theatre Review: Naked and Screaming, La Boite Theatre

A title as suggestive as Naked and Screaming sets you in for a hot and steamy play. Instead, playwright Mark…

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