Theatre
Theatre companies push storytelling boundaries with online audiences in COVID-19
One night in April, I found myself holding my cat up to my laptop, eagerly showing her off to a…
Theatre Review: Much Ado about Nothing by TheatreiNQ
The Bard’s most farcical play was a flawless choice for TheatreiNQ's pandemic-aware return to the stage.
Cabaret, theatre and a new Fringe: Brisbane’s arts sector fights back after COVID
Queensland Theatre is rehearsing its first production since March, while plans for the latest Queensland Cabaret Festival and a new…
Theatre review: Welcome to the Masque by Riverside Theatres Digital
In this scary era of the rampant COVID-19, a live theatre performance like Welcome to the Masque was a rare…
Theatre review: Biladurang 2.0 from VCR Fest
For Melbourne Fringe's VCR Fest, Joel Bray adapts his multi award-winning Fringe hit for the screen with 'Biladurang 2.0.'
What Darwin Festival learned about operating in a pandemic
The homegrown Darwin Festival 2020 created a palpable sense of community despite adhering to social distancing guidelines.
Review: Mouthpiece, Adelaide Festival (SA)
Kieran Hurley’s thrilling drama interrogates poverty porn clichés, the rules of playwriting, and asks who has the right to tell…
Review: Cold Blood, Adelaide Festival (SA)
Technically adept and visually striking, this Belgian production uses miniature sets, live video editing and the performers’ fingers to bring…
Review: Dimanche, Adelaide Festival (SA)
Inventive puppetry tells a story of environmental collapse in a family-friendly show that ventures into bleak territory.
Review: The Doctor, Adelaide Festival (SA)
Exquisitely written and performed, this drama about identity, gender, faith and science is mesmerising and utterly of the moment.