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Theatre Review: Black Brass by Mararo Wangai (Perth Festival)

An intimate journey between memory and reality, where the personal meets the political, is a quiet triumph in contemporary storytelling.

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Theatre review: Harry Potter and the Cursed Child Parts 1 and 2

After 49 weeks, The Boy Who Lived returns to the Melbourne stage – the first international production of the sequel…

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Theatre Review: The Cherry Orchard (Perth Festival)

The BBQ is lit, the vodka is poured... it's time to party like it's 1988… or is it?

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Theatre Review: Whistleblower, The Last Great Hunt (Perth Festival)

Fast-paced, high-stakes interactive improvisation, featuring audience volunteers, as slickly delivered live-stream directed work.

Features

The magic is back: Harry Potter and the Cursed Child returns to the stage

Actors discover muscle memory propelling them across the stage after 49 weeks off, and also discuss the impact of J.K.…

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Theatre Review: The Sum of Us (Perth Festival)

Yirra Yaakin’s The Sum of Us is a tale of a strong family bond, ageing, queerness and the dance we…

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Theatre review: The Boy Who Talked to Dogs, Slingsby/STCSA (Adelaide Festival)

The real-life story of dog-whisperer Martin McKenna, whose life took him from misery in Limerick to a new life in…

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Theatre Review: House (Perth Festival)

A story of such depth and nuance that there is enough to tantalise both children and adults alike.

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Theatre Review: STC's Playing Beatie Bow

A joyful production to appeal delightfully to young and old.

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Theatre Review: Fangirls (Adelaide Festival)

A sassy musical that looks into the heart of being a boyband music fan.

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