Theatre
Exit interview: Kris Stewart, Brisbane Powerhouse
After eight years and 2,5000 productions, Kris Stewart has left the Powerhouse to take on a new role as CEO…
Theatre Review: The Lifespan of a Fact
Melbourne Theatre Company plays fast and loose with fact and fiction.
Melbourne Fringe receives $1M budget windfall as Sydney Fringe announces new initiatives
Fringe Festivals in Australia’s two largest cities are preparing for a return to physical presentation of work as they announce…
Six arts organisations faced with devastating funding cuts by local council
Six arts and cultural organisations including Australian Tapestry Workshop and Red Stitch Actors Theatre face losing $30,000 a year if…
The joys and challenges of making art for babies
Everybody has a right to a cultural life, including toddlers and babes in arms. The presentation of such work can…
Undertake a practical apprenticeship in dance and drama
The National Theatre Drama School and Ballet School are looking for team players who are fearless and imaginative. Auditions for…
Exit interview: Tim Munro, Theatre Royal, Hobart
After 17 years as CEO of Australia’s oldest continually operating theatre, Tim Munro is moving on. He reflects on his…
Theatre Review: Playthings, Black Swan and Blue Room Theatre
Moving from black box to main stage, Playthings delivers an overflowing schoolbag of revelations.
Theatre Review: Taming of the Shrew, Queensland Theatre
An exquisitely timed, hilarious version of Shakespeare's classic play.
Creating new theatre in the heart of Canberra
The New Works program at Canberra Theatre Centre is offering free access to the Courtyard Studio for either a week’s…