Theatre
Theatre review: Home, I’m Darling, Sydney Theatre Company
Two 1950’s enthusiasts discover that the golden era they adore and seek to emulate may be harder to maintain than…
Challenging year marked by expansion of Sidney Myer Performing Arts Awards
Expanded from three awards to eight, the 2020 Sidney Myer Performing Arts Awards recognise arts champions across the nation.
Theatre Review: Because the Night, Malthouse Theatre
A transportive, immersive, choose your own theatrical adventure.
New festival promises more than just bright lights on cold nights
Illuminate Adelaide, the nation’s latest winter arts festival, has released the first glimpse of its inaugural program.
Creating an artist-centric leadership model to support the independent sector
La Boite’s new Artist Company not only provides 22 independent artists with 18 months’ work, it also offers La Boite…
So you want my arts job: Tamara Rewse, puppeteer and puppet-maker
If you can think laterally, are persistent, accurate and skilled at sewing and sculpting, becoming a puppet-maker might be the…
Theatre review: Hamilton, Sydney Lyric Theatre
The critic-proof production has opened in Australia to rapturous reviews – but what did we think?
RISING festival program released: newest reason to love winter unveiled
It's been called ‘the biggest showcase of Victorian artists in the state’s history’, but the new RISING winter festival may…
Arts sponsorship raises ethical questions
Can Perth have an ethical and sustainable Fringe Festival?
Theatre Review: Appropriate by Branden Jacobs-Jenkins
Directed by Wesley Enoch, the Sydney Theatre Company's production of Branden Jacobs-Jenkins’ play meditates on generational privilege and its legacy.