Theatre
Exit interview: Tim Munro, Theatre Royal, Hobart
After 17 years as CEO of Australia’s oldest continually operating theatre, Tim Munro is moving on. He reflects on his…
Theatre Review: Playthings, Black Swan and Blue Room Theatre
Moving from black box to main stage, Playthings delivers an overflowing schoolbag of revelations.
Theatre Review: Taming of the Shrew, Queensland Theatre
An exquisitely timed, hilarious version of Shakespeare's classic play.
Creating new theatre in the heart of Canberra
The New Works program at Canberra Theatre Centre is offering free access to the Courtyard Studio for either a week’s…
New series RISING Podcast 2021: the audio guide to Melbourne’s winter festival
A new festival deserves a new approach to the way artists share and discuss the ideas that inform their work.
How a long-term approach to artistic development has benefitted Canberra’s artists
A considered approach to developing artists’ careers over many years is a cornerstone of practice at The Street Theatre.
How festivals are coming out of COVID
After 2020’s postponements, festivals are back with a renewed focus on the local, exciting audiences across the nation.
Theatre Review: A Room of One’s Own, Belvoir
Belvoir’s production of Virginia Woolf’s classic polemic on women in literature is a sophisticated and stimulating exploration of the role…
Theatre Review: The Pitts, Athenaeum Theatre
The energy pumped out from the stage by these two performers was frenetic enough to power Broadway if channelled properly.
Theatre Review: The Wedding Singer, Athenaeum Theatre
This production is pure joy and will have you grinning from ear to ear.