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Theatre review: King Lear, Fortyfivedownstairs, Melbourne

A nuanced, many-coloured production bears contemporary resonance.

Features

How one venue’s closure can damage the arts ecology of a city

The impending closure of the Bakehouse Theatre in May 2022 is potentially devastating for Adelaide’s independent arts sector.

a group of classical musicans on stage and an audio engineer recording their concert
Features

Digital performing arts – not just for COVID, but the future

Live arts from home seems like a sugar hit for the times, but evidence shows we’re signing up for longer…

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Theatre Review: Here, There and Everywhere, Bearfoot Theatre, Newcastle (NSW)

An innovative company continuing to break the fourth wall in theatre with their latest show.

News

Neilson Foundation’s $3M gift will support Bell Shakespeare’s flexible new studio

The donation is the largest single gift Bell Shakespeare has received in its 31 year history.

News

Australian Performing Arts Exchange moves entirely online

The annual conference and arts market will now take place entirely online.

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Theatre review: Picnic at Hanging Rock, Mandurah Performing Arts Centre, WA

An iconic gothic mystery that retains – and improves upon – the flavour of its predecessors.

News

Changes made to Playing Australia cautiously welcomed

The Australia Council has reintroduced multi-year investments and streamlined the application process for the Regional Performing Arts Touring program.

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Review: ‘Outlines’ is a lockdown gift from Sydney Opera House

Four substantial new digital works from Australia, the UK and Korea are freely available to stream. Chris Boyd applauds the…

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Musical Review: West Side Story, QPAC

Touches of brilliance in this staging of a classic but lacks menace and urgency.

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