Theatre
Exit interview: Brett Sheehy, MTC
After nine years as Melbourne Theatre Company’s Artistic Director, Sheehy has stepped down from the role. What next?
Phoenix festival rises from the Fringe
Melbourne Fringe’s program has been reinvented, with 55 in-person shows swiftly adapted for digital performance.
Theatre review: Siarad, Goodwood Theatre and Studios
A one-woman spoken word performance with personal reflections and incisive cultural commentary.
Theatre review: Unheimlich, PICA
What's hidden is just as important as what's revealed.
Teaching music and performance during the pandemic
For students and teachers alike the struggle to adjust teaching and curriculum during lockdown has provided impetus to explore the…
Does online performance have a post-pandemic future?
Artists, teachers and arts administrators reflect on the future of theatre and comedy online, including questions of access and engagement.
Theatre review: Glengarry Glen Ross, Bakehouse Theatre
A finely staged tale of greed, desperation and corruption.
The power of play and how to bring it home
The playground may be closed with no free-roaming allowed, but small acts of play can still be achieved and are…
Theatre review: Blood Will Have Blood, TheatreiNQ, Townsville
Shakespeare adapted with flair and majesty.
Dance review: Weredingo, Brisbane Festival
Creationist stories through shapeshifting dance and poetry.