Sculpture
Ten years on, a gallery, but not a gallery, still going its own way
Faced with a collapsing local gallery scene, a group of WA artists rewrote the rule book on how their work…
Getting to know Louise Bourgeois
A comprehensive body of works by the French American artist Louise Bourgeois will soon land at AGNSW, showcasing the polarities…
Review: Brisbane Festival opening
An eclectic opening night event set the tone of inclusivity and diversity for Brisbane Festival’s 2023 program.
Multiform and dance review: Salamander, Brisbane Festival at Northshore
A multidisciplined dance work with astonishing visuals and powerful contemporary messages, 'Salamander' is a major contributor to this year’s Brisbane…
Exhibition review: Holding Pattern, Haus of Vovo
An exhibition that celebrates texture and pattern while strategically navigating the cultural connotations of textile works.
Me and my mentor: Britt Salt and Hannah Gartside
Visual artists Britt Salt and Hannah Gartside are both interested in real bodies moving through their installations. They were paired…
Why I studied ... Bachelor of Design (Interior Architecture) at QUT
During COVID, artist S-J Botham went back to study, finding a passion for design and its potential to create social…
Cambodian sculpture return is a win-win
Three Cambodian sculptures have been formally returned, and then loaned back to the National Gallery of Australia.
Exhibition review: Tom Moore, Abundant Wonder, Glenelg
With whimsical storytelling and tech wizardry, Tom Moore reinstates the sense of wonder in exhibition making.
Exhibition review: Ingrid Morley, Orange Regional Gallery
Bold elegant sculptures made from farm machinery talk about loss and renewal, in the hands of artist Ingrid Morley.