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Karin McCracken, second from right, with students. Image supplied.
Features

Theatre show tackles the tricky subject of consent education

The award-winning Aotearoa New Zealand production YES YES YES is undertaking an Australian tour as consent education is mandated in…

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Performance review: Becoming Eliza, Comedy Theatre

Anna O'Byrne regales us with how she was chosen by Julie Andrews to play the role of Eliza Doolittle in…

Features

Queer and present danger: Part 3

The final part of this series details the careers of young drag queens, Linh Uendo and Kitty Obsidian, amid the…

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New life breathed into HSC plays

ACA Company will stage new productions of The Female of the Species and The Shape of Things in September, and…

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Music review: Paradise, Adelaide Town Hall

A touch of paradise with two great musical masterworks and a little-known gem.

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Performance review: idk, Carriageworks

A beguiling show exploring boundaries with three performers in a dance narrative.

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Musical review: Miss Saigon, Sydney Opera House

Haunted by a disturbing presentation of Vietnam, the production is nonetheless electrifying and moving.

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Music review: Romance, QPAC

Romance was a far-ranging classical program that showed off the exceptional talents of this youthful orchestra.

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Master acting across stage and screen with confidence

The Bachelor of Performing Arts (Stage and Screen) at Actors Centre Australia fosters industry-ready students with the confidence to pursue…

A white man in evening dress with baton raised dramatically conducts an orchestra, who are barely visible. The empty seats behind him suggest this is a rehearsal photo.
Features

What’s in store in 2024 for the performing arts (part one)

As season announcements for 2024 begin to roll out across the country, we look in brief at some of next…

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