Performing Arts
Theatre review: Dead Man's Cell Phone, Slingsby's Hall of Possibility
Wickedly Good Productions presents an intriguing, comedic and moving production on one phone’s ability to connect people.
Shane MacGowan: a timeless voice for Ireland’s UK diaspora
MacGowan gave visibility to the second-generation Irish in England, says Dr Sean Campbell.
Theatre review: The Master and Margarita, Belvoir St Theatre
Adapted from Bulgakov's classic novel, this stage version is compelling whether or not you're familiar with the original book.
Under a wet blanket: navigating the Australian arts ecosystem as First Nations artists
It's time that First Nations artists were allowed to be in the driver's seat and not confined to the passenger's.
Music review: Mushroom 50 Live concert, Rod Laver Arena
A star-studded line-up celebrating Australia’s best music from the past 50 years.Â
Performance review: Son and Wolfgang’s Magical Musical Circus, Playhouse Theatre, QPAC
A Circa double bill featuring new work from First Nations-led ensemble Circa Cairns, and a family-friendly reimagining of Mozart and…
Theatre review: I ME SHE HIM ä½ å’Œæˆ‘å’Œå¥¹å’Œä»–, Bluestone Church Arts Space
The first English adaptation of Stan Lai’s 1998 play retains its cultural nuances and asks how we can reconcile with…
Performance Review: At the End of the Land, PICA Performance Space, WA
A non-linear and Lynchian solo performance, with visual and aural extravagances.
Theatre review: Whose gonna love ‘em? I am that i AM and Chase, Malthouse Theatre
First Nations Theatre collective A Daylight Connection presents a double bill that provokes, examines and entertains.
Theatre review: Shakespeare in the Garden – A Midsummer Night's Dream, Wollongong Botanic Garden
Merrigong Theatre Company's enchanting reimagining of Shakespeare's classic against a breathtaking natural backdrop.