Performing Arts
Theatre review: Ink, Little Theatre University of Adelaide
The Australian premiere of James Graham's play is an entertaining, witty and immersive three-hour performance.
Performance reviews: Only Bones – Daniel Nodder, So..., Melbourne Fringe Festival
Two shows that explore some comedic freestyling using the body as a prop and a darkly absurd premise.
Theatre review: Every Brilliant Thing, New Benner Theatre
If you were to compile a list of everything that makes life worth living and truly brilliant, what would it…
Circus review: Mr.  III三III (Mr Three), NICA, Melbourne Fringe Festival
Office workers trying to break away from corporate, capitalist routines.
Performance review: I Am (Not) This Body, Arts House, Melbourne Fringe Festival
A a cross-disciplinary exploration of the performer's relationship with her body in the world.
Theatre review: The Appleton Ladies' Potato Race, Bille Brown Theatre
Mashing through the glass ceiling, one potato race at a time.Â
Performance reviews: How to Shave and It’s Like a Circle, Melbourne Fringe Festival
Comedy that unpacks the highs and lows of transmasculine identity and theatre exploring the realms of queer love.
So you want my arts job: Drama Therapist
Drama therapist Anne Gollan creates safe environments for play and storytelling with both children and adults.
Performance review: The Blood Vote, Gasworks Arts Park
Fusing opera and circus, The Blood Vote by composer Jenny Game and librettist Caitlin Vincent sees Australian suffragist Vida Goldstein…
Dance review: Architect of the Invisible, State Theatre Centre of Western Australia
Contemporary dance merges with classical literature in this symbolic reimagining of Dante Alighieri’s 'The Divine Comedy'.