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Ink. Man in suit and tie, sitting on stage next to a fancy dining table, smoking a cigarette.
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Theatre review: Ink, Little Theatre University of Adelaide

The Australian premiere of James Graham's play is an entertaining, witty and immersive three-hour performance.

Only Bones. images shows torso of a man on his knees with arm raised and coloured lighting reflected off his clothes, against a black background. We cannot see his face.
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Performance reviews: Only Bones – Daniel Nodder, So..., Melbourne Fringe Festival

Two shows that explore some comedic freestyling using the body as a prop and a darkly absurd premise.

Every Brilliant Thing. Image is man behind blue swathes to make it look as if he's in a pool. He has a big smile on his face.
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Theatre review: Every Brilliant Thing, New Benner Theatre

If you were to compile a list of everything that makes life worth living and truly brilliant, what would it…

Mr. III三III. Image is three men with juggling pins. One is seated in front of a drum kit.
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Circus review: Mr.  III三III (Mr Three), NICA, Melbourne Fringe Festival

Office workers trying to break away from corporate, capitalist routines.

I am (not) this body. A short statured woman is standing on a plinth.
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Performance review: I Am (Not) This Body, Arts House, Melbourne Fringe Festival

A a cross-disciplinary exploration of the performer's relationship with her body in the world.

Potato Race. Two women stand back to back, each carrying a potato sack over their shoulders.
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Theatre review: The Appleton Ladies' Potato Race, Bille Brown Theatre

Mashing through the glass ceiling, one potato race at a time. 

How to Shave. Image is of transman with brown shirt over white t-shirt stroking his chin
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Performance reviews: How to Shave and It’s Like a Circle, Melbourne Fringe Festival

Comedy that unpacks the highs and lows of transmasculine identity and theatre exploring the realms of queer love.

Drama therapist Anne Gollan.
Career Advice

So you want my arts job: Drama Therapist

Drama therapist Anne Gollan creates safe environments for play and storytelling with both children and adults.

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Performance review: The Blood Vote, Gasworks Arts Park

Fusing opera and circus, The Blood Vote by composer Jenny Game and librettist Caitlin Vincent sees Australian suffragist Vida Goldstein…

Architect of the Invisible. A large group of dancers in bright clothing reach across steps and lift dancer in blue dress.
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Dance review: Architect of the Invisible, State Theatre Centre of Western Australia

Contemporary dance merges with classical literature in this symbolic reimagining of Dante Alighieri’s 'The Divine Comedy'.

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