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Finalists announced for the 2024 Rick Amor Drawing Award. Rick Amor, 'The Dog', 1990, Collection McClelland Sculpture Park + Gallery. Image: Supplied. Drawing of a dog turning its head to look behind with strong black lines and a shadowy atmosphere.
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Opportunities and awards

New commission offering $155k, Emerging Writers' Festival call-out, plus finalists of the 2024 Rick Amor Drawing Award and Peter Porter…

Queensland Music Festival Music Trails Program
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Queensland Music Festival expanding, recommiting to regional engagement

With new funding and programming, the festival dramatically reinvented itself during COVID.

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How Bluey made the move from animation to stage

ArtsHub speaks with 'Bluey's Big Play' puppetry director Jacob Williams and performer Jess Golle on translating from screen to stage…

Five dancers wearing sleeveless organe tops and loose grey pants move-animal-like across on the stage on all fours. Behind them in a black and white digital animation of stylised animals including a rhino, camels and a giraffe.
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Dancing with wolves in the national capital

The work of one of the world’s greatest contemporary choreographers has never been seen in Canberra – until now.

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Musical Theatre review: The Choir of Man, Arts Centre Melbourne

Singing and dancing in a pub setting brings frothy joy to all.

Career. headshot photos of eight different arts professionals
Career Advice

29 jobs to consider for a career change in 2024

Whether you have visions of being in the spotlight, leading from behind the scenes or going out on your own,…

Publicity image for Future D. Fidel's 'La Belle Epoque' at Theatre Works. Photo: Morgan Roberts. A black man is seen emerging from the shadows with a large chain necklace and what appears to be a floating crown above his head.
Features

What’s in store in 2024 for the performing arts (part five)

From indie theatre to choral masterpieces, 2024 has much to offer in the performing arts.

Alison McKay, Untitled, 2017, Sand and nails on wooden stand. Image: Supplied. An artwork consisting of a tiny precarious plinth with nails hammered into the top, and loose damp sand surrounding the nails.
Features

Why is the art world still married to meritocracy?

Part lottery, part systematic exclusion: three artists speak about the limitations of the meritocratic approach, and imagine how the art…

Immersive exhibition ‘130BPM: Soundtrack to a Revolution’ curated by Bertie Blackman to open at Qtopia Sydney in its new home. Image: 1985 Sydney Gay Mardi Gras, cropped with colour enhancement. Photo: William Yang. Large puppet-like pieces with vibrant colours dance in the dark with people holding them up from the bottom.
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New galleries and theatres to visit in 2024

From a power station's $100 million facelift to a museum for queer history, here are the top new cultural destinations…

Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
Features

To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

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