Search News

See all news
Bernie Dieter's Club Kabarett. A woman in black feathers against a hazy spotlit backdrop throws her head back while stretching up her arms and singing into a microphone.
StarsStarsStarsStarsStars

Performance review: Bernie Dieter’s Club Kabarett, FRINGE WORLD, WA

A sexy and subversive celebration of difference.

Appeasing Nergal. Three performers attempting to balance wine glasses in front of a sofa against a black backdrop.
StarsStarsStarsStarsStars

Performance review: Appeasing Nergal, FRINGE WORLD, WA

Three circus performers try to entertain themselves during lockdown.

Peter Cat Recording Co. Photo: Supplied. A five-person band from New Delhi. A group photo where the members are sitting, standing or hanging upside down.
StarsStarsStarsStarsStars

Performance reviews: Smashed: The Nightcap, The Chosen Haram and Peter Cat Recording Co., Sydney Festival

A smorgasbord of cabaret, theatre and live music at the Sydney Festival.

‘A Body at Work’. Photo: Darren Gill. Two naked bodies lie on top of each other on a simple massage bed with their heads facing the viewer. A red light is illuminating their bodies.
StarsStarsStarsStarsStars

Theatre review: A Body at Work, La Mama

A dynamite debut solo from Frankie van Kan that delves into the world of strip clubs and sex work.

RENT: The Musical. Image is a diagonal shot of a line-up on stage of young men and women looking off to the left and singing.
StarsStarsStarsStarsStars

Musical review: RENT: The Musical, QPAC

This latest iteration of Jonathan Larson's hit show will captivate a new generation of music theatre lovers.

‘Ruff Trade’. Photo: Steven Dawson. Two performers in 16th century attire sitting on each side of a wooden table. One is looking toward the other, trying to make conversation.
StarsStarsStarsStarsStars

Performance reviews: Ruff Trade and Trans Woman Kills Influencer, Midsumma Festival

‘Trans Woman Kills Influencer’ leans into the modern day, while Steven Dawson’s ‘Ruff Trade’ is a devilishly good tragedy set…

‘The Nightingale and Other Fables’ upcoming at Adelaide Festival 2024, directed by Robert Lepage. Photo: Michael Cooper. A performer in traditional Chinese garment standing on a rooftop with a branch extending out into the violet night sky.
Features

Orientalism, a stain that taints Australian opera?

From yellowface to chinoiserie – Orientalism pervades Western stages, so will that include Adelaide Festival’s upcoming, lauded centrepiece opera?

Nadiah NfuZion, Dance Summer Camp 2017, Portugal. Photo: David Velez Photography. A large crowd of people gathering in front of an outdoor stage for an energetic dance class.
Features

Bridging the diversity gap through art

A showcase of creatives who use their respective arts practices to enrich, uplift and educate.

‘Viva Korea’ at Riverside Theatres. Photo: Supplied. Two performers in traditional Korean dress on a stage set-up with large artistic screen dividers.
StarsStarsStarsStarsStars

Performance review: Viva Korea, Riverside Theatres

A nod to tradition that ended in a communal sing-along.

Aerialist Lauren Watson in a scene from 'NERVE'. Photo: Cinnamon Smith. A performer with her leg and arms raised, balancing on her sitting bones. The background is pitch black with soft lights illuminating her body.
Features

A matter of perception 

Disabled entrepreneurs who choose the arts to engage with their audiences.

1 76 77 78 79 80 1,653