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Leave. Adam Wheeler speaks of moving back to Tasmania after 17 years in Melbourne. Image: ‘Body Body Commodity’ by Jenni Large and Tasdance. Photo: Gabriel Comerford. Three dancers on a dark stage wear pastel-coloured leotards and play with large shape forms on their bodies, while in the background a solo violinist is spotlit.
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To leave, or not to leave – this is the question

Three creatives reveal how the grass is greener where you water it, and how their arts practices were enhanced by…

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Concert review: Spirit of Christmas, QPAC

The Christmas spirit was well and truly alive at QPAC.

A Very Naughty Christmas. Group of young people in Christmas clothes preening for the camera.
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Cabaret review: A Very Naughty Christmas, Alex Theatre

A Christmas-themed show that felt divorced from anything remotely boundary-pushing, gender-bending or creative.

Photo: Yeshi Kangrang on Unsplash. A glass jar filled with fairy lights half burried into the sand at the beach against a setting sun.
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Prizes and competitions to enter in 2024

A go-to list of prizes and competitions across the visual arts, performing arts and writing and publishing in the first…

A promotional image for Opera Australia. Against the sails of the Sydney Opera House a figure in red looks up to the sky.
Features

What our opera companies are offering in 2024

New leadership means new energy for major companies in an exciting year.

A male aerialist has suspended under a white spotlight.
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Performance review: Gatsby at the Green Light, The Studio, Sydney Opera House

Craig Ilott and Stuart Couzens have adapted 'The Great Gatsby' into an exhilarating performance set in a 1920s bar.  

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Opera review: Galileo, Victorian Opera

A bold and epic new opera from Richard Mills that almost reaches its potential.

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Theatre review: Circus 1903, Sydney Opera House

Puppetry meets circus arts in a show that's fun for the whole family.

Götterdämmerung. A Wagnerian male singer is on his knees screaming out in distress, while a man behind him attacks him with a staff. Other figures stands out around in furs.
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Opera review: Götterdämmerung (The Ring Cycle), QPAC

Well-crafted and powerfully delivered, Götterdämmerung’s resounding success concluded a polished and exceptional Ring Cycle presented by Opera Australia in Brisbane.

Phoenix. Image is a keyboard player, a drummer and a guitarist playing on a dark stage with two strong lights at the back.
Features

An unfunded discovery platform: inside Phoenix Central Park

Phoenix’s financial freedom allows the team to focus on curating a mindful audience experience. Patrons are invited in for one…

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