Performing Arts
Theatre review: Akaraka, The Substation
Akaraka grapples with topics related to the West African diaspora in Australia.
Screening review: Ryuichi Sakamoto | Opus, Melbourne Recital Centre
With deep involvement from the late composer’s son and wife, ‘Opus’ captures Ryuichi Sakamoto in dazzling body and soul.
Exit interview: Tim Newth AM, Tracks Dance Company
From active listening to rethinking what it means to be an Australian artist, Tim Newth reflects on a 35-year practice…
Theatre review: Teeth and Tonic, La Mama Courthouse
An exploration of misogyny but leavened with humour and friendship.
Hong Kong engages arts and cultural institutions across the globe
The West Kowloon Cultural District Authority will sign MOUs with 21 institutions and present an array of events as part…
Opportunities and awards
Environmental Music Prize open for entries, plus winners of Creative Engine grants, finalists of 41st Green Room Awards, and more!
Is Taylor Swift a good role model for Australian artists?
Taylor Swift has changed everything about the music industry. But where does that leave Aussie artists?
Performance Review: Time Machine, Her Majesty’s Theatre, Adelaide Festival
A high-energy display of action and acrobatics.Â
New festival brings the beauty of bel canto to Brisbane
Opera Queensland’s Brisbane Bel Canto celebrates the quintessential operatic form with a series of exacting and beautiful works that showcase…
What happens when theatre is informed by lived experience
'Breathe In' by Brenden Borellini, Georgia Cranko, Alison Richardson and Crossroad Arts is a prime example of powerful theatre informed…