Performing Arts
Review: The Gruffalo's Child, Athenaeum Theatre
The set design for The Gruffalo's Child is very simple but effective. There’s also lots of participation required from the…
Review: Sydney Dance Company’s PPY18 Revealed
In 2018 we see Sydney Dance Company’s 23 graduates in this thrilling program, which was an exciting mix of five…
Review: Adelaide Symphony Orchestra's Christmas Proms
It’s the most wonderful time of the year!
On the Move: latest appointments and resignations
Changes at the helm for West Space, Sydney Film School, Bendigo Art Gallery, Royal Academy of Dance, National Museum, and…
ICYMI: A wrap of this week’s arts news
New residencies, new developments, new program announcements and other arts news you may have missed.
Why kids see summer holidays as a time to go back to school
Some children see the summer break from school as an opportunity to learn in an area they are passionate about.…
Review: The Madness of George III, National Theatre Live
Mark Gatiss deserves all the praise for his role as King George III.
Creating Queensland’s future
The path forward for Queensland’s arts and cultural sector over the next 10 years and beyond is now open for…
British Council’s ambitious stride forward through inclusivity
A year in as Country Director, ArtsHub speaks with British Council’s Helen Salmon about this year’s wins, and a more…
What happens when a small community loses its arts coverage?
The decision by Hobart's The Mercury to axe all theatre, dance, and music criticism in its pages has alarmed the…