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Gravity & Other Myths to present WA-exclusive, ‘The Mirror’ as part of RE//PERTH 2024. Photo: Andy Phillipson. Acrobats doing stunts on stage with green light acting like a gateway on stage behind them.
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Perth extends the festival spirit to winter months

ARTRAGE’s newest winter offering, RE//PERTH, will launch in July with interactive fashion workshops, performances, food experiences and more.

Michael Bakrnčev (left). Photo: Julian Dolman. Peggy Polias (right). Photo: Supplied. The photos have been edited to feature portraits of two people against a pink background. Michael is a man with cropped black hair, wearing rectangular glasses and a short beard. He is wearing a light blue shirt with a t-shirt underneath. Peggy is a woman with brown curly short hair, a small smile and pink lipstick. She is wearing a shirt with square patterns.
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Spotlighting Australian classical and art music composers in world premiere chamber music performance

Canberra Symphony Orchestra’s Australian Series celebrates our local talent, with the first concert in its 2024 program exploring joy, love,…

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The Word – delving into the power of language at St Martins Youth Arts Centre

A new play from St Martins Youth Arts Centre explores language, systems and power.

Vittoria Di Stefano, 'Pears on a Willow (detail)', 2024. Linden New Art JUNCTURE Art Prize winner. Photo: Supplied. A small bronze object respending a plant seed lying on a flat piece of wool.
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Opportunities and awards

Textile Awards call for entries, funding for live music in NSW, plus winners of new JUNCTURE Art Prize and 2024…

The Australian Ballet. Circle Electric. Bathed in a red glow a troupe of ballet dancers are assembled beneath a large neon hoop. The dancers are eclectic and in all sorts of shapes, one is held aloft surrounded by smoke.
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Dance review: Études/Circle Electric, Sydney Opera House

A double bill of dance that canvasses contemporary and classical works.

Heroic. Adelaide Symphony Orchestra. On the left is a shot chest up of a middle aged white man with grey hair wearing dark rimmed glasses, folding his arms and holding a conductor's baton. On the right is a younger dark haired man wearing a dark suit and tie over a white shirt, smiling at the camera and holding his hands in front of him.
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Music Review: Heroic, Adelaide Town Hall

Leading Sibelian, Osmo Vänskä conducted a vivacious performance of Sibelius and Beethoven.

Embodied. Two female dancers on a dark stage, under two stage lights with barn doors are dressed in tight white skivvies and grey shorts, and are stretching their right arms up in the air.
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Dance review: EMBODIED, Dancehouse

A double bill of dance captivated and entranced.

The Grinning Man. A huddle of seven young actors in vaguely Victorian/Edwardian clothing grasp and peer over each other with manically grinning faces.
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Musical review: The Grinning Man, Alex Theatre

A number of miscalculations may make you grimace instead of grin in the Australian premiere of this British musical.

WAY. On a dark stage an older worried looking white woman in a grey hoodie is using a phone in a telephone box. A chair is on the right of the picture.
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Theatre review: WAY, fortyfivedownstairs

A one-person show that skilfully covers a societal issue with empathy and compassion.

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Dance Review: SILENCE, His Majesty’s Theatre, WA

SILENCE is a plea for treaty in dance form with drum-heavy soundscapes and a clever use of comedy.

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