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A woman with her hair in a bun is standing spotlit in centre of stage. She is wearing silver blouse and black pants and carrying a bouquet of roses. Petals are strewn below her. A band can be seen playing around her, in semi darkness.
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Theatre review: Master Class, Ensemble Theatre

Terrence McNally’s play about opera legend Maria Callas gives us a masterclass in stagecraft.

Features

What killed Darlinghurst Theatre Company?

Darlinghurst Theatre Company entered voluntary administration last week. The complex narrative around its decline is a warning for other organisations.

Noel McKenna, ‘William Nuttall with horses in field’, 2023 (detail). Image: Supplied. Painting with soft blues and greens depicting a serene landscape of a couple of horses with one human figure petting the head of a horse.
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Opportunities and awards

Call for artworks from refugee artists, plus winners at National Portrait Gallery, recipients of the Regional Arts Fund and more!

A brunette woman wearing a sparkly pink dress is looking to the side.
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Performance review: Christina Bianco: In Divine Company, Adelaide Cabaret Festival

All our favourite divas came together in one slick show.

A woman is standing in front of a red curtain drape. She has dark hair and is dressed in black, with red trim. She is gesticulating, with arms stretched out, dramatically.
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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel

A cabaret tribute to the scandalous 19th century dancer and performer.

Standing at a podium, his eyes closed in concentration, a bald-headed white man wearing a black suit and white shirt conducts an orchestra.
News

Singapore Symphony Orchestra set for 2025 Australian debut

Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…

A black and white photograph of three members of the Deaf Indigenous Dance Group, all of whom stand with their backs to the camera. The photo is focused on a central figure who wears a grass skirt and holds clapping stocks behind his back. A figure in shorts stands to his left, and another figure in a loincloth stands to his right.
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Deaf in dance: feeling the beat

‘Deaf in dance’, a free showcase featuring photos, artworks and stories from the Deaf Indigenous Dance Group (DIDG) is on…

The lighting is blue. On the left a woman dressed up in metallic silver with matching headgear and long sharp nails is looking at a man in a black cloak and a mask on the right.
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Performance review: When Night Comes, The Austral

A multisensory immersive experience that blends theatre and cocktails.

Selma Coultard and Mervyn Rubuntja at the Desert Mob Symposium 2023. Photo: Rhett Hammerton. A dark-skinned Aboriginal man with a short grey beard gestures with his left hand while holding a microphone in his right hand, into which he is speaking. He wears a brown hat, brown jacket and tan-coloured slacks. A brown-skinned Aboriginal woman wearing glasses, with her hair hair held back by a headscarf, sits to his right, but she is not the main focus of the photograph. The two sit beneath a screen, suggesting they are speaking on stage together.
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Culture keeps the fire burning at Desert Mob

Desert Mob ignites Mparntwe/Alice Springs with First Nations pride and supports ethical purchasing of artworks alongside diverse programming.

The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

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