Performing Arts
Creating culturally safe spaces starts with decolonising our minds
At ArtsHub's Visions 2020 conference, cultural safety in the sector for First Nations artists and artists of colour was on…
What Netflix's Bridgerton teaches us about sex and race in Regency London
Adapted from a historical romance novel, Netflix’s Bridgerton is a saucy look at sex, gossip and race in Regency London.
Performance Review: Circa’s Humans 2.0, Carriageworks (Sydney Festival)
A riveting piece of contemporary circus that celebrates the group over the heroic individual and explores notions of trust and…
Opportunities and Awards Wrap
Auditions for We Will Rock You, opportunities for Indigenous artists in the Kinetic Artwork Competition, plus UTS announces its artists…
Tasmania dances out of lockdown
Writer Lesley Graham takes a retrospective look at Tasmania's dance sector, highlighting the range of works performed in late 2020…
Outside the capitals, COVID-era festivals adapt to the new normal
Festivals in regional Victoria and the Gold Coast demonstrate their adaptability as the sector adjusts to COVID-safe conditions.
Share in $70,000 by contributing to a state’s collective memory
Artists, academics and storytellers from all disciplines are invited to apply for a range of research fellowships as part of…
On the Move: Latest sector appointments and departures
New CEO for Brown’s Mart Theatre and a new Chair at Penrith Performing & Visual Arts.
So you want my arts job: Producer, Perth Festival
If you're organised, a good listener, good humoured and comfortable sitting with fear, being a producer might be the job…
Theatre Review: Shrek the Musical, QPAC
An unlikely hero, Shrek is a solitary ogre abandoned by his parents when he was seven but, underneath the gruff…