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What killed Darlinghurst Theatre Company?

Darlinghurst Theatre Company entered voluntary administration last week. The complex narrative around its decline is a warning for other organisations.

Noel McKenna, ‘William Nuttall with horses in field’, 2023 (detail). Image: Supplied. Painting with soft blues and greens depicting a serene landscape of a couple of horses with one human figure petting the head of a horse.
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Opportunities and awards

Call for artworks from refugee artists, plus winners at National Portrait Gallery, recipients of the Regional Arts Fund and more!

A brunette woman wearing a sparkly pink dress is looking to the side.
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Performance review: Christina Bianco: In Divine Company, Adelaide Cabaret Festival

All our favourite divas came together in one slick show.

A woman is standing in front of a red curtain drape. She has dark hair and is dressed in black, with red trim. She is gesticulating, with arms stretched out, dramatically.
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Cabaret review: The Exotic Lives of Lola Montez, Chapel Off Chapel

A cabaret tribute to the scandalous 19th century dancer and performer.

Standing at a podium, his eyes closed in concentration, a bald-headed white man wearing a black suit and white shirt conducts an orchestra.
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Singapore Symphony Orchestra set for 2025 Australian debut

Praised as one of the best orchestras in the world, the SSO performs in Sydney, Melbourne and Brisbane in February…

A black and white photograph of three members of the Deaf Indigenous Dance Group, all of whom stand with their backs to the camera. The photo is focused on a central figure who wears a grass skirt and holds clapping stocks behind his back. A figure in shorts stands to his left, and another figure in a loincloth stands to his right.
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Deaf in dance: feeling the beat

‘Deaf in dance’, a free showcase featuring photos, artworks and stories from the Deaf Indigenous Dance Group (DIDG) is on…

The lighting is blue. On the left a woman dressed up in metallic silver with matching headgear and long sharp nails is looking at a man in a black cloak and a mask on the right.
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Performance review: When Night Comes, The Austral

A multisensory immersive experience that blends theatre and cocktails.

Selma Coultard and Mervyn Rubuntja at the Desert Mob Symposium 2023. Photo: Rhett Hammerton. A dark-skinned Aboriginal man with a short grey beard gestures with his left hand while holding a microphone in his right hand, into which he is speaking. He wears a brown hat, brown jacket and tan-coloured slacks. A brown-skinned Aboriginal woman wearing glasses, with her hair hair held back by a headscarf, sits to his right, but she is not the main focus of the photograph. The two sit beneath a screen, suggesting they are speaking on stage together.
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Culture keeps the fire burning at Desert Mob

Desert Mob ignites Mparntwe/Alice Springs with First Nations pride and supports ethical purchasing of artworks alongside diverse programming.

The silhouette of a woman and a man can be seen behind a lit up sheet. Around them there are planks of wood, greenery and a TV set.
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Theatre review: The Last Train to Madeline, Meat Market Stables

A two-hander that tracks an evolving friendship through time.

A woman is lying in a bathtub covered in bubbles. A man in a blue checkered shirt and t shirt sits nearby her and looks down at her.
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Theatre review: Cost of Living, Queensland Theatre

'Cost of Living' is a play for our times about the price we all pay to be human. 

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